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https://www.bachelorandmaster.com/creationofknowledge/apollonianism-dyonysianisism.html
In Nietzsche’s view, the naive art is the non-plastic. In Nietzsche’s view, the naïve art is the dualistic combination with balance between Apollonianism and Dionianism. In other words, what Nietzsche says that the balance of Apollonianism as well as Dionysianism …
https://www.sparknotes.com/philosophy/birthoftragedy/section3/
Summary. In his fourth section, Nietzsche uses the dream analogy to tackle the question of the naive artist, having defined naive to be "the complete absorption in the beauty of appearance." On the everyday level of experience, the waking life is far preferable to the dreaming life. However, "in relation to that mysterious substratum of our nature of which we are the phenomena," i.e. at the …
https://genius.com/Friedrich-nietzsche-the-birth-of-tragedy-chap-4-annotated
Using the analogy of a dream, we can learn something about this naive artist. If we recall how the dreamer, in the middle of his illusory dream world, calls out to himself, without
http://mountdivination.net/
How the Existentialism of Friedrich Nietzsche Finds Expression in the Narrative of Jesus the Christ. This site explores how the mysteries of Christian resurrection and transfiguration exemplify the philosophy of Friedrich Nietzsche and His Eternal Return of the Übermensch. Raphael, himself one of those immortal naïves, in one of his allegorical paintings depicted that reduction of illusion to mere illusion, the original act of the naïve artist …
https://www.sparknotes.com/philosophy/birthoftragedy/terms/
Naive artist . Term for the artist who is completely absorbed in the beauty of appearance. This state of being is a complete victory of the Apollonian illusion. Homer is the greatest naive artist, for his forms are the most beautiful. Nietzsche clearly views this form o f artist as inferior to the tragic artist, but also superior to the operatic artist.
https://genius.com/Friedrich-nietzsche-the-birth-of-tragedy-chap-3-annotated
Emile raised in the bosom of nature.1 Wherever we encounter the “naive” in art, we have to recognize the highest effect of Apollonian culture, which always first has to overthrow the kingdom ...
https://www.coursehero.com/lit/The-Birth-of-Tragedy/chapters-4-5-summary/
Chapter 4 opens with a deeper look at the "naive artist" from the German writer Friedrich Schiller's (1759–1805) aesthetic philosophy that Friedrich Nietzsche references in his discussion of the Apollonian drive that informs Greek art. Nietzsche employs the metaphor of dreaming to elucidate Schiller's discussion of the unity between artist and nature the naive artists depicted.
https://www.sparknotes.com/philosophy/birthoftragedy/section4/
Summary. Nietzsche's central duality manifests itself again with the countering of the art of Homer with that of Archilochus. Homer is the great Apollonian naive artist, whereas Archilochus (writing in the sixth century) is a passionate and furious lyric poet. Modern esthetics calls this time period the meeting of the first "objective" poet with the first "subjective" poet.
https://www.sparknotes.com/philosophy/birthoftragedy/section2/
In an attempt to discern the origins of these art-impulse archetypes, Nietzsche makes a vague attempt to analyze Greek dreams, but quickly moves on to a discussion of the Dionysian Greek as a progression from the Dionysian barbarian. ... Homer, the ultimate naive artist, populates his world with heroes who strive to reach the glory of the gods ...
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