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https://nataschastellmach.com/books/
artist books Black Cockatoo , 2011, reappropriated found book, pen, 19 x 13 x 5 cm, unique piece Fly , 2012, mixed media (artist book, reappropriated chair, gloves), unique
http://www.artnet.com/artists/natascha-stellmach/biography
Zwischenstation Bethanien: Natascha Stellmach 2, Dieter Brookmann, art.observer, Berlin, Germany, April 2007 2007 Zwischenstation Bethanien: Natascha Stellmach, Dieter Brookmann, art.observer, Berlin, February 2007 2006 'Art Factory’ 8 page feature', Vogue Living Australia, Deborah Bartlett-Pitt, Sep/Oct 2006 2006Nationality: Australian
https://nataschastellmach.com/blood/
Natascha preparing one wall of ‘Bloody Suns’ for the Blood series, Fotogalerie Wien, Vienna, 2010 The ambivalence between the personal, historical and imaginary is what distinguishes Stellmach’s work.
https://nataschastellmach.com/oracle/
What advice would the (in)famous Dead offer us today? Employing the technique of frottage, and informed by memento mori and our obsession with celebrity, BORIS+NATASCHA explore a contemporary take of the ancient oracle through a message from the (in)famous Dead. Via stealth, synchronicity, mysticism, research and guerilla action, BORIS+NATASCHA create a "grave rubbery" …
https://nataschastellmach.com/the-book-of-back/
The work was created at Künstlerhaus Bethanien Berlin where Stellmach was Australia Council for the Arts resident artist from 2006 to 2007. Supported by the Australian Government through the Australia Council Natascha Stellmach signing The Book of Back at Paris Foto, through Schaden Books, 2009
https://nataschastellmach.files.wordpress.com/2013/12/stellmach-cba-notes-to-each-work.pdf
Australian artist Natascha Stellmach caused a media sensation in 2008 with the press release to her Berlin exhibition Set me free, in which she invited volunteers to join her in smoking the ashes of dead rock star Kurt Cobain. Stellmach never revealed how she obtained the …
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