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Natasha Latona Fine Art

    https://faso.com/artists/natashalatona.html
    Natasha Latona is a New Hampshire based artist who is influenced by many artists ranging from those of the early Renaissance to the Contemporary. She has spent years acquiring traditional painting and drawing skills based on the principles of classical realism.

Natasha Latona - Newburyport Art Association

    https://newburyportart.org/?author=168
    Newburyport Art Association 65 Water Street Newburyport, MA 01950. Email: [email protected] Telephone: 978-465-8769 Hours: Tues – Sat: 11 AM – 5 PM Sun: 1 – 5 PM Mon: Closed

Who's That Girl? - The New York Times

    https://www.nytimes.com/2002/08/04/magazine/who-s-that-girl.html
    Aug 04, 2002 · Latona wasn't signed because she was an original artist. Like Britney, she was an attractive package: poised and pretty, Latona could be poured into various molds and carefully shaped to …

Latona Art Fine Art America

    https://fineartamerica.com/art/latona
    Shop for latona art from the world's greatest living artists. All latona artwork ships within 48 hours and includes a 30-day money-back guarantee. Choose your favorite latona designs and purchase them as wall art, home decor, phone cases, tote bags, and more!

Atmospheric Perspective: Learn Five Simple Effects

    https://www.artistsnetwork.com/art-techniques/atmospheric-perspective/
    Feb 12, 2009 · Natasha Latona’s The Passage (above) is one example of several aspects of atmospheric perspective reversed to achieve an effect of drawing the viewer in toward more distant focal points. It’s fun and great practice to experiment with these effects as much as possible, as they can add convincing spatial depth, mood and interest to your work.

Achieve Spatial Depth In Your Drawings ... - Artists Network

    https://www.artistsnetwork.com/art-mediums/drawing/five-tips-to-achieve-spatial-depth/
    Sep 01, 2011 · Natasha Latona’s The Passage (above) is one example of several aspects of atmospheric perspective reversed to achieve an effect of drawing the viewer in toward more distant focal points. It’s fun and great practice to experiment with these effects as much as possible, as they can add convincing spatial depth, mood and interest to your work.

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