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https://www.npg.org.uk/research/programmes/directory-of-suppliers/
Details of marked canvases in the Ashmolean Museum have been supplied by Jevon Thistlewood and Jon Whiteley. Those in Manchester Art Gallery and York Art Gallery have been noted by Jacob Simon from relevant picture files and conservation records, to which access was allowed by those institutions.
https://www.npg.org.uk/research/programmes/directory-of-suppliers/a
Ackermann’s watercolours were stocked in Hull by W. Holdsworth ( Hull Packet 1 February 1803), Edinburgh by Robert Hamilton ( The Scotsman 29 December 1824) and inManchester by Vittore Zanetti & Co, c.1804-11, by Zanetti & Agnew, 1822, and by Grundy & Fox, 1827 (Zanetti & Co’s trade card, Repository of Arts.
https://www.npg.org.uk/research/programmes/directory-of-suppliers/r/
Marked materials from the 1910s, 1920s and subsequently include Sir John Lavery’s Sir Lionel Cust, 1912 (National Portrait Gallery), C.R. Nevinson’s Motor Transport, 1916 (Private coll.), three paintings by James Pryde, The Red Ruin, 1916, The Blue Ruin, c.1918, and The Husk, early 1920s (private coll., see Powell 2006 pp.46-8), Philip de László's Jerome K. Jerome, 1921 (National Portrait Gallery) and Reginald Grenville Eves's Julia Neilson, c.1920, Sir Frank Benson, 1927, and Lucille ...
https://www.npg.org.uk/research/programmes/directory-of-suppliers/w/
British artists' suppliers, 1650-1950 - W. An online resource, launched in 2006, selectively updated twice yearly. Last updated December 2020. Contributions are welcome, to Jacob Simon at [email protected]. Günther Wagner, 10 London Wall, London EC 1903-1905, 80 Milton St, EC …
https://www.npg.org.uk/research/programmes/directory-of-suppliers/b/
Continental suppliers used by British-based artists when abroad are treated in summary detail in this resource. Blanchet was a leading supplier of canvases and artists’ colours in the second half of the 19th century, numbering Jean-François Millet and Théodore Rousseau as customers (Constantin 2001 pp.51-2). ... (National Portrait Gallery ...
https://www.npg.org.uk/research/programmes/directory-of-suppliers/m/
Carver and gilder, printseller. See British picture framemakers on the National Portrait Gallery website. Madderton & Co 1890-1896, Madderton & Co Ltd 1896-1939. At 37-39 Baldwins Hill, Loughton, Essex 1890-1939, also 156 King’s Road, Chelsea, London 1915-1918. Artists' colours manufacturers.
https://www.npg.org.uk/research/programmes/directory-of-suppliers/c/
Among suppliers of artists’ materials and picture frames those with the greatest outstanding accounts were Winsor & Newton Ltd at £119, Bourlet & Son at £99, George Rowney & Co Ltd at £22, James Newman at £22 and C. Roberson & Co at £20 (National Archives, BT 34/3196/85979, accounts quoted to nearest pound).
https://www.npg.org.uk/research/programmes/directory-of-suppliers/l.php
Specific works with Lanham’s metal label as supplier on the stretcher include Henry Bishop’s Havelock Ellis, 1890s, metal label: JAMES LANHAM/ ARTISTS COLORMAN/ ST IVES/ -CORNWALL- (National Portrait Gallery), Moffat Lindner's Holland, c.1898, Thomas Cooper Gotch's A Pageant of Childhood, exh.1899 (both Walker Art Gallery, see Morris 1996), Stanhope Forbes’s Sir Philip Dawson, 1914 …
https://www.theguardian.com/artanddesign/2019/jun/09/artists-national-portrait-gallery-bp-oil
Jun 09, 2019 · A judge and several leading artists have written to the director of the National Portrait Gallery on the eve of its annual awards calling on it to end its links to BP.. They accuse the central ...
https://www.liveabout.com/best-art-materials-shops-in-london-2577886
Jul 16, 2018 · Cornelissen's has been in business since 1855 and you can't beat the shop for character, with its shelves stacked with bottles of pigments and little packets of all sorts of traditional artist's materials (plus the more 'usual' supplies). Don't be intimidated by it looking like a shop for serious professional artist's only.
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