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https://www.arts.gov/sites/default/files/ArtistsInWorkforce.pdf
Oct 30, 2003 · The purpose of the new NEA report, Artists in the Workforce, is to demonstrate—in cold, hard, unpoetic facts—that such caricatures misrepresent American artists and even contribute to their marginalization in society. The time has come to insist on an obvious but overlooked
https://www.arts.gov/sites/default/files/ArtistsInWorkforce_ExecSum.pdf
The purpose of the new NEA report, Artists in the Workforce, is to demonstrate—in cold, hard, unpoetic facts—that such caricatures misrepresent American artists and even contribute to their marginalization in society. The time has come to insist on an obvious but overlooked fact—artists are workers.
https://www.arts.gov/sites/default/files/105.pdf
As with the NEA’s previous research reports on artists in the workforce, this Note examines 11 distinct artist occupations, separately and together (see text box, p.4): Actors Announcers Architects Dancers and choreographers Designers Fine artists, art directors, and animators MusiciansFile Size: 260KB
http://www.ucira.ucsb.edu/nea-announces-new-research-note-on-artists-in-the-workforce/
This latest report builds on earlier NEA research — Artists in the Workforce: 1990 – 2005 — which identified key traits that differentiated artists from other U.S. workers. That report found artists to be entrepreneurial (more likely to be self-employed) and more educated than the workforce at large.
https://www.giarts.org/blog/tommer/new-nea-research-artists-workforce
Oct 28, 2011 · New NEA Research on Artists in the Workforce Submitted by Tommer on October 28, 2011 Artists and Arts Workers in the United States offers the first combined analysis of artists and industries, state and metro employment rates, and new demographic information such as age, education levels, income, ethnicity, and other social characteristics."
https://en.wikipedia.org/wiki/National_Endowment_for_the_Arts
Conservative media continued to attack individual artists whose NEA-supported work was deemed controversial. The "NEA Four", Karen Finley, Tim Miller, John Fleck, and Holly Hughes, were performance artists whose proposed grants from the United States government's National Endowment for the Arts (NEA) were vetoed by John Frohnmayer in June 1990. Grants were overtly vetoed on the …
https://www.arts.gov/sites/default/files/Artists_and_Other_Cultural_Workers.pdf
• Artists are becoming a larger share of the U.S. labor force. In 2006, artists composed 1.42 percent of the labor force; by 2017, they were 1.55 percent, representing a 6.1 percent increase. • In 2017, the artist unemployment rate hit an 11-year low.
https://en.wikipedia.org/wiki/NEA_Four
The " NEA Four ", Karen Finley, Tim Miller, John Fleck, and Holly Hughes, were performance artists whose proposed grants from the United States government's National Endowment for the Arts (NEA) were vetoed by John Frohnmayer in June 1990.
https://www.arts.gov/impact/research/publications
The Art of Reopening: A Guide to Current Practices Among Arts Organizations During COVID-19 Arts Endowment research staff surveyed national service organizations in the arts and interviewed arts organizations and consultants about reopening practices of organizations that have resumed in-person ...
https://www.heritage.org/report/ten-good-reasons-eliminate-funding-the-national-endowment-orthe-arts
New York's Museum of Modern Art, funded by the NEA, hosted an NEA-funded exhibit of Bruce Nauman's work, also displayed at the Smithsonian's Hirshhorn …
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