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https://www.atlassociety.org/post/nietzsches-metaphysics-and-epistemology
For Nietzsche, the concepts of real and true are fictions created by the will to power; there is no “real” world. The two fundamental ideas in understanding Nietzsche’s metaphysics and epistemology are perspectivism and the will to power. Perspectivism is the view that our knowledge and understanding are conditioned by how we are viewing it.
https://www.translatum.gr/etexts/moart.htm
Superhuman, or, simply, an artist: the case with Nietzsche, the advocate of non-theological metaphysics, the advocate of the metaphysics of art. In the metaphysics of art nothing is more positively true than the negation of the affective fallacy, or, to wax rhetorical, the affirmation of the affective infallibility.
https://www.academia.edu/21644574/The_Influence_of_Friedrich_Nietzsches_Metaphysics_on_Giorgio_de_Chiricos_Art
The influence of the Friedrich Nietzsche on the work of Giorgio de Chirico is hardly a secret. A 1910 letter de Chirico’s wrote to his friend Fritz Gartz asserts this: ‘I am the only man to have truly understood Nietzsche – all of my work demonstrates this.’1 Consequently, scholars
https://oxford.universitypressscholarship.com/view/10.1093/0198250630.001.0001/acprof-9780198250630
Abstract. A reconstruction of Nietzsche's epistemology and metaphysics aimed at isolating and assessing dominant lines of argument concerning truth, knowledge, and reality in Nietzsche's mature and late period. The book initially focuses on Nietzsche's sceptical remarks, directed at specific metaphysical theories (causation, self, Newtonian force) and more generally at the concepts of …Author: Peter Poellner
https://www.the-philosophy.com/nietzsche-philosophy-summary
May 18, 2012 · Friedrich Nietzsche, a German philosopher. Nietzsche is the philosopher of the will to power, seen as vital creation and fulfillment. What is essential is our world as it is joy and desire for power. As for the illusion of ulterior worlds, Nietzsche stalking …
https://ndpr.nd.edu/reviews/plato-and-nietzsche-their-philosophical-art/
This conceit is expressed in terms of the reasons for calling Plato or Nietzsche a “thinker-artist” (181) or perhaps “a sage writing as an artist writing as a philosopher” (168), but it can be expressed apart from a concern about nomenclature. The conceit is something like this: one should attend to the standpoint of the authors as producers of artistic works, rather than merely the statements in the texts, in order to …
https://ndpr.nd.edu/reviews/nietzsche-s-critiques-the-kantian-foundations-of-his-thought/
It means that he argues for the fourth and fifth claims above without taking into account plausible alternatives to his story of how Nietzsche arrived at BT's metaphysics. As Nietzsche later described this "artists' metaphysic," it sees the world as the "vision" and "attained salvation" of an "artist-god", who in creating it "frees himself from the distress of fullness and overfullness and from the affliction of the …
https://www.quora.com/What-did-Nietzsche-think-of-Kants-metaphysics
Ali McMillian gives a great answer of how Nietzsche responded to Kant, but to balance this perspective a little bit... Nietzsche thought very highly of Kant and his work, otherwise Nietzsche would not have spent so much energy critiquing Kant. Additionally, some scholars are promoting the idea that Nietzsche remained much more Kantian than was previously accepted; more Kantian than Nietzsche probably …
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