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https://www.thoughtco.com/inartistic-proofs-rhetoric-1691052
Jan 21, 2020 · Michael de Brauw: Pisteis (in the sense of means of persuasion) are classified by Aristotle into two categories: artless proofs (pisteis atechnoi), that is, those that are not provided by the speaker but are pre-existing, and artistic proofs (pisteis …
https://www.thoughtco.com/what-is-artistic-proofs-1689137
Feb 12, 2020 · Non-artistic proofs are arguments or proofs that need no skill or real effort to be created; rather, they simply need to be recognised--taken off the shelf, as it were--and employed by a writer or speaker. In Aristotle's rhetorical theory, the artistic …
https://digitalcommons.unf.edu/cgi/viewcontent.cgi?article=1635&context=saffy_text
Aristotle recognized that in matters of dispute, arguments are not the ony means of resolution. Sometimes, for example, the evidence itself can be so compelling that rhetorical proofs are secondary. He called the proofs developed by rhetorical methods ARTISTIC and the proofs that were given by the situation and its facts NON ARIS TIC.Author: Edna Louise Saffy
http://www.classicalwriting.com/blog/2010/01/12/discovering-the-arguments-artistic-and-inartistic-proofs/
Jan 12, 2010 · There are, according to Aristotle, five types of inartistic proofs: laws, contracts, witnesses, tortures, and oaths. Today we would ethically eliminate tortures, and add to Aristotle’s list—from our technology-driven world—photographs, video …
https://www.jstor.org/stable/269476
of Aristotle's distinction, in the Rhetoric, between "nonartistic proofs" (nicyTetS dTcXvo) and "artistic proofs" (nicyrets FvTcXvo).2 Claiming that early Greek legal procedure knew only nonartistic proofs (e.g., oaths), which were automatically decisive, Solmsen placed Antiphon at a point of transition between this archaic system and fourth-century
https://socialsci.libretexts.org/Bookshelves/Communication/Book3A_Public_Speaking_(The_Public_Speaking_Project)/02%3A_Origins_of_Public_Speaking/2.02%3A_Ancient_Greece
He considered these to be non-artistic proofs. Aristotle identified what he considered to be artistic proofs which must be supplied by the speaker’s invention (the “faculty of discovering” that Aristotle used in his definition of rhetoric); and these artistic means of persuasion are threefold. They consist in (1) evincing through the speech a personal character that will win the confidence of the listener; (2) engaging the …
https://answers.yahoo.com/question/index?qid=20130929081538AAiinXu
Sep 29, 2013 · Every speech, according to Aristotle, must contain both these types of proofs. Inartistic proofs are things which are there: facts, statistics, oaths, documents, contracts, constitutions and the...
https://www.supersummary.com/rhetoric/book-2-chapters-1-18/
Having addressed non-artistic proofs and the three kinds of oratory, Aristotle devotes Book 2 to artistic proofs beginning with character and emotion. He explains the importance of this examination: “ [T]he speaker must not merely see to it that his speech [as an argument] shall be convincing and persuasive, but he must [in and by the speech] give the right impression of himself, and get his judge [audience] …
https://gradesfixer.com/free-essay-examples/aristotles-artistic-proofs-ethos-pathos-and-logos-timeless-rhetoric/
Mar 16, 2020 · Inartistic proofs are proofs only understood by the rhetor. These are factual appeals that are uncontrollable. Inartistic proofs range from laws and contracts to witness testimony. The second type of proof, the ones that Aristotle was more interested in, was artistic proof; ethos pathos, and logos. The first artistic proof is the ethos.
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