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https://www.npg.org.uk/research/programmes/artists-their-materials-and-suppliers/
This website feature arises out of the interest shown in the directory, British artists' suppliers, 1650-1950. Contributions are welcome on artists, their materials and suppliers, with a focus on historical rather than purely technical studies. Contact …
https://www.npg.org.uk/research/programmes/directory-of-suppliers/
British artists’ suppliers, 1650-1950 An online resource, researched and written by Jacob Simon, 1st edition 2006, 2nd edition 2008, 3rd edition 2011, now selectively updated twice yearly. Contributions are welcome, to Jacob Simon at [email protected] .
https://www.npg.org.uk/research/programmes/directory-of-suppliers/m/
Artists, School and Engineering Supplies of the Latest Design and Manufacture, 1939, 127pp) and Henry M. Taws, Philadelphia (Catalog of Artists and Draughtsmens Materials, c.1915, 102pp). In Australia Cambridge colours were stocked by Geo. P. Harris, Scarfe & Co Ltd, Adelaide (Catalogue Artists’ Materials, 1913, 16pp).
https://www.npg.org.uk/research/programmes/directory-of-suppliers/r/
From the 1920s and 1930s, Oswald Birley's Glyn Philpot, 1920 (National Portrait Gallery), Arabella Huntington, 1924 (Huntington Library and Art Gallery, see Asleson 2001 p.32), Earl of Birkenhead, 1932, and Viscount Camrose, c.1933 (both National Portrait Gallery), Henry Lamb's Sir Paul Vinogradoff, c.1924 (Bodleian Library, information from ...
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