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Olitski Studio, South Shaftsbury, Vermont, 1964. photo by Cora Ward Jules Olitski was born Jevel Demikovsky, March 27th, 1922 in Snovsk, Russia, (now Ukraine), a few months after his father, a commissar, was executed by the Soviet government. He emigrated to the United States in 1923 with his mother and grandmother and settled in Brooklyn.
http://www.artnet.com/artists/jules-olitski/
Jules Olitskiwas a Russian-born American artist. Credited with helping develop the movement of Color Field painting in the mid-1960s, Olitski focused on the material qualities of surface and color in painting, rather than the personal expression of the artist.Nationality: American
https://www.olitski.com/landscape
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https://www.theartstory.org/artist/olitski-jules/
Jules Olitski was a Russian-born American painter who was instrumental in the development of the Color Field school. Like his contemporaries Helen Frankenthaler and Morris Louis, Olitski stained the surface of his canvases in a technique that rejected the gestural brushwork of the then-popular Abstract Expressionist artists.Nationality: Russian-American
https://www.artsy.net/artist/jules-olitski
One of the original Color Field painters to emerge in the 1950s, Jules Olitski was deeply concerned with the physical properties of paint. In his early career, Olitski depicted abstract shapes with thick, heavily impastoed surfaces, but later took to layering thin films of spraypaint onto his canvases, creating a trademark atmospheric effect.Nationality: Russian-American
https://www.tate.org.uk/art/artists/jules-olitski-2198
Jevel Demikovski (March 27, 1922 – February 4, 2007), known professionally as Jules Olitski, was an American painter, printmaker, and sculptor. This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License.
https://www.invaluable.com/artist/olitski-jules-krmwq64aex/sold-at-auction-prices/
Jules Olitski studied at the National Academy of Design in New York under Sidney Dickinson, and the Academie Grande Chaumiere with Ossip Zadkine. He entered art via portraiture, then slowly moved towards abstraction with heavy impastos and murky colors.
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