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https://www.wikiart.org/en/artists-by-art-movement/op-art
Op art, short for optical art, is a style of visual art that uses optical illusions. Op art works are abstract, with many better known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images, flashing and vibrating patterns, or of swelling or warping. The antecedents of Op art, in terms of graphic and color effects, can be traced back to Neo-impressionism, Cubism, …
https://www.theartstory.org/movement/op-art/artworks/
Nov 22, 2011 · Four Self-Distorting Grids. Artist: François Morellet. Four Self-Distorting Grids exemplifies the influence of Kinetic art on Op. Movement was crucial to Op art, and while Op artists generally relied on virtual movement - the illusion of movement - some artists used real motion to create effects. In this piece, Morellet experimented with grid forms. He was fond of the way their pre-given ...
https://www.theartstory.org/movement/op-art/
Riley is an English painter who is one of the foremost proponents of 1960s Op art movement. She painted black and white works that present a variety of geometric forms that produce sensations of movement or color, and that ultimately challenge the visual conventions of painting. Frank Stella.
https://medium.com/@codingdudecom/pop-art-artists-3153d33cd2bf
Sep 14, 2020 · Famous pop art works include: Campbell’s Soup Cans (1962) by Andy Warhol, Whaam! (1963) by Roy Lichtenstein, Marilyn Diptych (1962) by Andy …Estimated Reading Time: 7 mins
https://www.britannica.com/art/Op-art
The principal artists of the Op art movement as it emerged in the late 1950s and ’60s were Victor Vasarely, Bridget Riley, Richard Anuszkiewicz, Larry Poons, and Jeffrey Steele. The movement first attracted international attention with the Op exhibition “ The Responsive Eye” at the Museum of Modern Art in New York City in 1965.
https://www.artsy.net/artist/peter-sedgley
Since the 1960s, Op artist Peter Sedgley has been producing luminous paintings of circles and optical explorations of light and kinetics. Trained as an architect at the Brixton Technical School and then serving as an assistant in architectural firms during the 1940s and ‘50s, Sedgley began to paint in 1963 and pursued his career as an artist.
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