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https://www.canopycanopycanopy.com/contents/the_artist_and_the_economic_crisis
The Artist and the Economic Crisis by Per-Oskar Leu. By Otto Freundlich . Annotated by The Editors . Published February 2012 . PDF, 934 kb. Published in conjunction with the exhibition Crisis and Critique, a video and audio-sculptural installation by Norwegian artist Per-Oskar Leu at 155 Freeman in February 2012. The exhibition considered the ...
https://rhizome.org/editorial/2012/feb/21/crisis-artist/
Feb 21, 2012 · Presented in a curtained-off room, the installation at 155 Freeman Street was accompanied by a newly translated essay by Otto Freundlich entitled "The Artist and the Economic Crisis." The sum of these parts might make for an ominous, harrowing piece, which by its content, it is.
https://en.wikipedia.org/wiki/Otto_Freundlich
He moved to France in 1924, and during the occupation moved with his wife to the Pyrenees. Freundlich was interned by the Vichy authorities but released, for a time, under the influence of Pablo Picasso. In 1943 he was arrested and deported to Majdanek Concentration Camp, where he was murdered on the day he arrived. Documentary FilmBorn: 10 July 1878, Stolp, Germany
https://www.wikiart.org/en/otto-freundlich
Otto Freundlich (10 July 1878 – 9 March 1943) was a German painter and sculptor of Jewish origin and one of the first generation of abstract artists. Freundlich was born in Stolp, Province of Pomerania, Prussia. His mother was a first cousin of the writer Samuel Lublinski. Otto studied dentistry before deciding to become an artist.Birth place: Stolp, Germany
https://www.bundestag.de/en/visittheBundestag/art/artists/freundlich_inhalt-369940
Freundlich, active as both a painter and a sculptor, was a pioneer of abstract art who achieved a notably personal idiom in his sculpture. His political and artistic sympathies brought him into conflict with the National Socialist regime: his 1912 sculpture The New Human Being appeared on the cover of the booklet published to accompany the ...
https://www.commentarymagazine.com/articles/edouard-roditi/the-fate-of-otto-freundlichpainter-maudit/
As a theorist, Otto Freundlich was thus one of the most unorthodox among the artists of his iconoclastic generation, a man of the same category as Marcel Duchamp and Kurt Schwitters. As a painter, he remains the author of a number of truly impressive compositions that rank easily with those of Mondrian and Kandinsky, and are clearly superior to ...
https://www.nytimes.com/2012/02/17/arts/design/per-oskar-leu-crisis-and-critique.html
Feb 17, 2012 · The Norwegian artist Per-Oskar Leu’s show at Triple Canopy is a passionate and absorbing montage-style essay on the response of art and artists to moral emergency.
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