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https://www.academia.edu/7249014/Kiss_the_Baby_Goodbye_Appropriation_in_Contemporary_New_Zealand_Art
Adopting Maori motifs and traditions were not limited to Walters’ art practice, as described by Francis Pound in his book devoted to the subject of ‘Pakeha use of Maori Motifs in Modernist New Zealand Art’, where he suggests that it is common for colonising cultures to adopt indigenous art forms into modernist art works.2 Hamish Keith ...
http://robertleonard.org/dick-frizzell-beyond-the-pale/
Recently, there has been much debate over the appropriation of Maori forms in the work of Pakeha artists. 1 The debate has split into prosecution and defence. The prosecution has challenged Pakeha for their disrespect and ignorance of Maori culture, casting appropriation as sacrilege.
https://kuramahaurangi.wordpress.com/introduction-to-story/
Liv Kenney explores the power dynamics of Pakeha artists who appropriate the traditional Maori motifs. These artists are said to be influenced by colonization in Intersections – Maori – Pakeha (Kenny,2016). Kenney reviews the Art practices of four Pakeha artists -Theo Schoon, Gordon Walters, Dick Frizzel’s ‘Tiki’ and Peter Robinson’s ‘Percentage Paintings’.
https://www.the-artists.org/shane-cotton/
When Cotton laced in tell-tale nods to overseas contemporary "appropriation" artists including Jeff Koons, Haim Steinbach and Imants Tillers, was he suggesting an affinity between hip postmodernist image-scavenging and Maori Folk Art? As controversy was raging around Pakeha artists appropriating Maori imagery, Cotton's "reverse appropriations" certainly complicated the terms of that debate, even as they protested the historical alienation of Maori …
http://www.doubledialogues.com/article/picturing-space-theo-schoon-ross-crothall-and-visual-art-in-the-pacific/
He sought a vital New Zealand art made by both pakeha and Maori artists, but did not seem to consider that there may be instances of inappropriate appropriating. Schoon felt that his work could continue the tradition of Maori visual arts, which denied the complex roles of visual art objects in Maori culture.
https://www.bwaipuka.co.nz/buyprint35.html
His contemporary koru patterns were symbolic of Maori rock art which he held particular interest in for over 30 years. He named many, if not all, of these artworks Maori names and titles. These artworks became his trademark. For Maori, the koru pattern holds …
https://putatara.net/2013/09/30/pakeha-culture/
(See Steven Webster, “Patrons of Maori Culture”, University of Otago Press, 1998, pp 125-127, 157-163). Essentially they and a complete generation of their Maori and Pakeha students grafted the visible elements of the Maori worldview onto the submerged elements of the Western worldview, making the Maori mind intelligible to the Western mind.
https://artivist.co.nz/make/tag/Tame+Iti
Jul 27, 2019 · I began playing with visual remixes of appropriated imagery, tapping the symbolism in the work of pakeha artists who were viewed [or been accused of] appropriating Maori material, and also applying the opposite and looking at Maori artists who’s work that were aesthetically Western directed or …
https://maoridictionary.co.nz/search?idiom=&phrase=&proverb=&loan=&keywords=pakeha
3. (noun) New Zealander of European descent - probably originally applied to English-speaking Europeans living in Aotearoa/New Zealand. According to Mohi Tūrei, an acknowledged expert in Ngāti Porou tribal lore, the term is a shortened form of pakepakehā, which was a Māori rendition of a word or words remembered from a chant used in a very early visit by foreign sailors for raising their ...
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