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https://www.britannica.com/biography/Paolo-Uccello
Paolo Uccello, original name Paolo di Dono, (born 1397, Pratovecchio, near Florence—died December 10, 1475, Florence), Florentine painter whose work attempted uniquely to reconcile two distinct artistic styles—the essentially decorative late Gothic and the new heroic style of the early Renaissance.
https://www.paolouccello.org/
Paolo Uccello (born Paolo di Dono, 1397 - December 10, 1475) was an Italian painter who was notable for his pioneering work on visual perspective in art. Giorgio Vasari in his book Lives of the Artists wrote that Uccello was obsessed by his interest in perspective and would stay up all night in his study trying to grasp the exact vanishing point.
http://www.paolouccello.net/paintings/
Paolo Uccello is an enigmatic painter from Florence who was notoriously strange and secretive. His paintings, just like his personality tend to turn their back on the viewer; elusive. His adherence to the Gothic style is evident through all his works.
https://totallyhistory.com/paolo-uccello/
Paolo Uccello Paolo Uccello was born in 1397 in a place called Florence to one Dono di Paolo who was a surgeon and barber and madam Antonina di Gio who hailed from a …
https://www.italian-renaissance-art.com/Uccello.html
Paolo Uccello was born in Florence in 1397. He was apprenticed to the sculptor and metalworker Lorenzo Ghiberti and was admitted to the painters guild in 1414. Paolo was also a lifelong friend of Donatello. He married Tomasa Malifici in 1453 and a son, Donato was born in the same year.
https://www.paolouccello.org/biography.html
In 1414 Uccello was admitted to the painters' guild Compagnia di San Lucca and just one year later, in 1415, he joined the official painter's guild of Florence Arte dei Medici e degli Speziali. According to Vasari, Paolo's first painting was a Saint Anthony between the saints Cosmas and Damianus, a commission for the hospital of Lelmo.
http://www.artnet.com/artists/paolo-uccello/
Paolo Uccello was an important Italian artist of the Early Renaissance known for his pioneering use of perspective. Bridging the transition from the decorative Late Gothic style of the Middle Ages to the naturalism of the Renaissance, his paintings are marked by their interlocking forms, bright colors, and complex compositions.Nationality: Italian
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