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https://ocula.com/artists/park-chan-kyong/
Park Chan-kyong first became known as an art critic in the 1990s. His first major exhibition as a visual artist was in 1997 at the Kumho Museum of Art titled Black Box: Memory of the Cold War Images. Park's practice is celebrated for its multidisciplinary approach and he has garnered praise for transcending genres as a media artist, film...
https://www.artsy.net/artist/park-chan-kyong
Park Chan-kyong. Bio Korean, b. 1965. Status. Established Representation. Followers 60. Following. Follow. Overview. Works for sale (2) Notable Works. View all works. Skip to end of content ... Garage Museum of Contemporary Art, and 2 more. See all past shows and fair booths. Notable Works. View all. Child Soldier, 2017-2018. Contact for price. ...Nationality: Korean
http://www.tinakimgallery.com/artists/park-chan-kyong
Park Chan-Kyong (b. 1965) is a media artist, film director and writer based in Seoul. His work examines Korean society, framing the rapid socioeconomic development of the past century while chronicling the often reckless pursuit of Western modernization and economic growth, through subjects including the Cold War and traditional Korean religions.
https://www.kukjegallery.com/KJ_artists_view_4.php?a_no=348
Park Chan-kyong Born in 1965, Seoul, Korea Lives and works in Seoul, Korea Education 1995 MFA in Photography, California Institute of the Arts, Valencia, US 1988 BFA in Painting, Seoul National University, Seoul, Korea Selected Solo Exhibitions 2019 MMCA Hyundai Motor Series 2019: Park Chan-kyong – Gathering, MMCA Seoul, Seoul, Korea 2018
https://www.artsy.net/artist/park-chan-kyong/works-for-sale
Find the latest shows, biography, and artworks for sale by Park Chan-kyongNationality: Korean
https://www.frieze.com/article/park-chan-kyong
As an art critic in the 1990s, Park Chan-kyong would often refer to what he called the ‘colonial unheimlich’, a theory that is key to understanding his visual work.
http://artasiapacific.com/Magazine/WebExclusives/ParkChankyong
PARK CHAN-KYONG, Flying, 2005, still from video: 13 min. Courtesy the artist and Tina Kim Gallery, New York. Park’s evocation of shamanistic rituals in his dramatic video Night Fishing (2011) is perhaps his most strident effort at reclaiming a Korean identity.
http://media.virbcdn.com/files/34/793895d8ff06ca63-PCK_brochur.pdf
point for the artist, particularly because of its numerous failures. Just as “failed utopia” is an abiding fascination in his research, “apocalyptic” continually surfaces in his work as well. This text is adapted from the essay “Brinkmaship: Park Chan-Kyong and Sean Snyder,” published on the
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