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https://www.britannica.com/art/pathetic-fallacy
The Stars with deep amaze. Stand fixt in steadfast gaze. Ruskin considered the excessive use of the fallacy the mark of an inferior poet. Later poets, however—especially the Imagists of the early 20th century, as well as T.S. Eliot and Ezra Pound—used the pathetic fallacy freely and effectively.
https://artistbestiary.wordpress.com/2013/08/04/anthony-goicolea-pathetic-fallacy/
Aug 04, 2013 · Anthony Goicolea is a Cuban-American artist, who received his BFA in painting, photography, and sculpture from the University of Georgia, and his MFA from Pratt. The drawings that are part of the Pathetic Fallacy collection create an uncomfortable tension between the human and animal, and question just how close animals and people are. Goicolea does not shy from the visceral natures …
https://www.jrbartgallery.com/news/312/
“Pathetic Fallacy” is a literary device that assigns human emotions to inanimate objects of nature. Writers use it to provide atmosphere and to enhance or reflect moods, much as musical and sound scores are used in films and stage performances. A couple of weeks ago, I mentioned a book I was reading by David Morrell entitled ;“The Fine Art of Murder.” The last couple of days I ...
https://aestheticamagazine.com/pathetic-fallacy/
Sep 05, 2020 · Pathetic Fallacy. “I live in a city called Valdivia – in the south of Chile and the far south of the world. It’s one of the rainiest places on the planet, and the fog that lifts up regularly – almost every morning and night from autumn to early spring, and every now and then in the summer.”. Felipe OA’s ( @thewintersupersoldier ...
https://literarydevices.com/pathetic-fallacy/
Definition of Pathetic Fallacy. As a literary device, pathetic fallacy refers to giving human emotions and actions to animals, plants, and other parts of nature. Examples of this type of attribution include cats that think devious thoughts, a brook that seems happy, and trees that are worried. British cultural critic John Ruskin created the definition of pathetic fallacy in the mid-1800s in his book Modern Painters.
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