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http://www.antiquesage.com/history-future-artist-patron-relationship/
The Medici, a dynasty of wealthy bankers who dominated Florentine politics during the late Renaissance, perhaps best exemplifies the typical artist-patron relationship of the time. Immensely rich and powerful, the Medici family sponsored famed artists …Estimated Reading Time: 5 mins
https://www.dailyartmagazine.com/artist-and-patron-friend-or-foe/
Dec 07, 2019 · But this traditional artist-patron relationship began to change in the mid to late 19th century. Artists who won awards or accolades at their national Academy were still well placed to receive important commissions from wealthy patrons. But those institutions were traditionalist – valuing religious, historical and portrait themed paintings.Estimated Reading Time: 6 mins
https://www.academia.edu/6437579/The_Relationship_Between_Patrons_and_Artists_in_the_Renaissance_Italy
Thanks to this change of status the relationship between patron and artist changed, giving to the latter more professional autonomy and contractual power, being able to offer an added value deriving from his skills and fame (Schroeder et al., 2010). As we said earlier, the Italian market was particularised.
https://courses.lumenlearning.com/arthistory1-91/chapter/patronage-and-the-status-of-the-artist/
A patron usually entered into a contract with an artist that specified how much he would be paid, what kinds of materials would be used, how long it would take to complete, and what the subject of the work would be. Not what we would consider artistic freedom, huh? It did have its advantages though.
https://www.artworkarchive.com/blog/the-role-of-the-art-patron-in-2020-and-how-to-find-them
A patron is someone who financially supports a given cause or person. The phrase " patron of the arts" persists today, as patronage is historically linked to individuals and groups sponsoring artists.
https://courses.lumenlearning.com/suny-hccc-worldhistory/chapter/art-and-patronage/
Lorenzo de’ Medici (1449–1492) was the catalyst for an enormous amount of arts patronage, encouraging his countrymen to commission works from the leading artists of Florence, including Leonardo da Vinci, Sandro Botticelli, and Michelangelo Buonarroti.
https://confluence.cornell.edu/display/tam2011/Collectors+and+Collecting+Renaissance+Era+Patrons,+Artists+and+Spaces
The patron-artist relationship was usually bound under some sort of contract, consisting of detailed drawings and models, which enabled more direct communication between the parties. Both the patron and the artist's main objective was to boost their reputation through the commissioned work, and so they worked to influence each other to get the ...
https://www.thoughtco.com/patrons-the-roman-social-structure-117908
Feb 05, 2019 · The work of art or book would be dedicated to the patron. Outcomes of the Patronage System . The idea of client/patron relationships had significant implications for the later Roman Empire and even medieval society. As Rome expanded throughout the Republic and Empire, it took over smaller states which had its own customs and rules of law. ...Estimated Reading Time: 3 mins
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