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https://courses.lumenlearning.com/suny-arthistory1/chapter/patronage-and-the-status-of-the-artist/
For artists in the period before the modern era (before about 1800 or so), life was really different for artists than it is now. In the Middle Ages and in the Renaissance works of art were commissioned, that is they were ordered by a patron (the person paying for the work of art), and then made to order. A patron usually entered into a contract with an artist that specified how much he would be paid, what kinds of materials would be used, how long it would …
https://human.libretexts.org/Courses/Achieving_the_Dream/Book%3A_Art_History_I/01_%3A_Introduction/01.7%3A_Patronage_and_the_Status_of_the_Artist
Sep 19, 2019 · In the Middle Ages and in the Renaissance works of art were commissioned, that is they were ordered by a patron (the person paying for the work of art), and then made to order. A patron usually entered into a contract with an artist that specified how much he would be paid, what kinds of materials would be used, how long it would take to complete, and what the subject of the work would …
https://www.academia.edu/6437579/The_Relationship_Between_Patrons_and_Artists_in_the_Renaissance_Italy
Thanks to this change of status the relationship between patron and artist changed, giving to the latter more professional autonomy and contractual power, being able to offer an added value deriving from his skills and fame (Schroeder et al., 2010). As we …
https://study.com/academy/lesson/the-influence-of-patrons-in-15th-century-northern-european-spanish-art.html
Apr 21, 2015 · As an artist in the 15th century, our artist relies on patrons, people who commission the artist to create works of art. This means that he is …
https://smarthistory.org/types-of-renaissance-patronage/
A work of art was considered a reflection of the patron’s status, and much of the credit for the ingenuity or skill with which an art object was created was given to the savvy patron who hired well. Still, an artist’s social status and reputation could also benefit from the support of a powerful patron. Defining our terms
http://www.italianrenaissanceresources.com/units/unit-3/essays/the-status-of-artists/
The development of art academies was evidence of and a further force for the rise in artists’ status. From the time of Cennino Cennini (see Introduction), Italian artists had argued that their work should be compared with that of poets, since both required fantasia (imagination). Lorenzo Ghiberti wrote in his Commentarii (probably compiled c. 1430–50) that a first-rate artist ought to be ...
https://www.artsy.net/article/artsy-editorial-italian-renaissance-wealthy-patrons-art-power
Aug 20, 2018 · Notably, such significant patronage also shifted the status of artists in society. According to art historian Michael Baxandall, early Renaissance texts revealed that people believed good materials made for good art. By the end of the era, they prized skill.
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