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http://www.italianrenaissanceresources.com/units/unit-8/
Artists and Patrons. Ambrogio de Predis. Bianca Maria Sforza, probably 1493. Oil on panel, 51 x 32.5 cm (20 1/16 x 12 13/16 in.) National Gallery of Art, Washington, DC, Widener Collection. Image courtesy of the Board of Trustees, National Gallery of Art. The Renaissance produced many types of patrons: men and women, individuals and families, religious and lay groups, civic bodies and princely rulers.Estimated Reading Time: 30 secs
https://www.artsy.net/article/artsy-editorial-italian-renaissance-wealthy-patrons-art-power
Aug 20, 2018 · Sandro Botticelli. The Birth of Venus, ca. 1486. Uffizi Gallery, Florence. While centuries of scholars have parsed the meanings and symbols within. Italian Renaissance. artworks and architecture, their mere existence also testifies to the era’s power structures and distribution of wealth. The very act of commissioning an artist to design a building, sculpture, or painting signified the …Estimated Reading Time: 7 mins
https://www.palgrave.com/gp/book/9781349006236
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http://finearttouch.com/Art_Patronage_in_the_Italian_Renaissance.html
In Venice art patronage was largely controlled by the scuolas, or confraternities, great religious and social organizations. The church was also an important patron of the arts. Creative individuals like artists, architects, musicians, and writers benefited substantially from art …
https://smarthistory.org/overview/courses/patrons-in-the-renaissance/
Why would someone patronize art in the renaissance? Giovanni Rucellai, a major patron of art and architecture in fifteenth-century Florence, paid Leon Battista Alberti to construct the Palazzo Rucellai and the façade of Santa Maria Novella, both high – profile and extremely costly undertakings. In his personal memoir, he talks about his motivations for these and other commissions, noting that “All the …
https://study.com/academy/lesson/patrons-of-renaissance-art-roles-influence-famous-works.html
Jun 28, 2015 · Renaissance art is full of works that only exist because of powerful patrons. Most famous of all of these was Cosimo de' Medici , head of the Medici banking family and de facto ruler of Florence.
https://courses.lumenlearning.com/suny-hccc-worldhistory/chapter/art-and-patronage/
Lorenzo de’ Medici (1449–1492) was the catalyst for an enormous amount of arts patronage, encouraging his countrymen to commission works from the leading artists of Florence, including Leonardo da Vinci, Sandro Botticelli, and Michelangelo Buonarroti.
https://smarthistory.org/types-of-renaissance-patronage/
While all renaissance patrons of art enjoyed a certain amount of wealth and social privilege, patronage could be a personal or a collective endeavour. Both the St. Matthew and the Deposition were commissioned by groups of men who were members of powerful guilds, or the corporate entities that dominated renaissance public life. Other types of patrons included rulers, nobles, members of the …
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The Renaissance Patrons, Artists, and Scholars Reader Chapter 1: An Italian Rebirth 2 Chapter 2: The Early Renaissance 12 Chapter 3: The Spirit of the Renaissance 20 Chapter 4: …
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