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https://www.ancient.eu/article/1624/patrons--artists-in-renaissance-italy/
Sep 30, 2020 · During the Renaissance, it was the usual practice for artists to only produce works once they had been asked to do so by a specific buyer in a system of patronage known as mecenatismo. As the skills required were uncommon, the materials costly, and the time needed often long, most works of art were expensive to produce.Author: Mark Cartwright
https://study.com/academy/lesson/patrons-of-renaissance-art-roles-influence-famous-works.html
Jun 28, 2015 · Renaissance art is full of works that only exist because of powerful patrons. Most famous of all of these was Cosimo de' Medici , head of the Medici banking family and de facto ruler of Florence.
https://smarthistory.org/overview/courses/patrons-in-the-renaissance/
Why would someone patronize art in the renaissance? Giovanni Rucellai, a major patron of art and architecture in fifteenth-century Florence, paid Leon Battista Alberti to construct the Palazzo Rucellai and the façade of Santa Maria Novella, both high – profile and extremely costly undertakings. In his personal memoir, he talks about his motivations for these and other commissions, noting that “All the …
https://smarthistory.org/types-of-renaissance-patronage/
While all renaissance patrons of art enjoyed a certain amount of wealth and social privilege, patronage could be a personal or a collective endeavour. Both the St. Matthew and the Deposition were commissioned by groups of men who were members of powerful guilds, or the corporate entities that dominated renaissance public life. Other types of patrons included rulers, nobles, members of the clergy, merchants, confraternities, nuns, …
https://www.nga.gov/features/slideshows/patrons-and-artists-in-late-15th-century-florence.html
Among the greatest patrons in 15th-century Florence were members of the powerful Medici family, who ruled as princes, though the city was, in name, a republic. The works in this tour date from the time of Lorenzo de' Medici, the Magnificent, whom Machiavelli called "the greatest patron of literature and art that any prince has ever been."
http://www.italianrenaissanceresources.com/units/unit-8/
Image courtesy of the Board of Trustees, National Gallery of Art The Renaissance produced many types of patrons: men and women, individuals and families, religious and lay groups, civic bodies and princely rulers. Differing motivations and concerns influenced their relationships with artists and the art that was created.
https://www.artsy.net/article/artsy-editorial-italian-renaissance-wealthy-patrons-art-power
Aug 20, 2018 · By 1434, Cosimo de’ Medici had become one of the wealthiest people in Italy, and the region’s unofficial ruler, a position he retained until his death 30 years later. His lineage (which included four popes) are considered perhaps the greatest private patrons of the Renaissance, and in …
https://courses.lumenlearning.com/suny-hccc-worldhistory/chapter/art-and-patronage/
Lorenzo de’ Medici (1449–1492) was the catalyst for an enormous amount of arts patronage, encouraging his countrymen to commission works from the leading artists of Florence, including Leonardo da Vinci, Sandro Botticelli, and Michelangelo Buonarroti.
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