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https://egs.edu/biography/paul-virilio/
Biography. Paul Virilio (b. 1932) is a philosopher, urbanist, and cultural theorist. He was trained as an artist at the Ecole des Metiers d’Art, which led him to an early career working with Henri-Emile-Benoît Matisse on stained glass windows in several Paris churches. Virilio later attended lectures in phenomenology by Maurice Merleau-Ponty at the Sorbonne as well as studied architecture there.
https://mitpress.mit.edu/contributors/paul-virilio
Urbanist and technological theorist Paul Virilio trained as a painter, studying under Henri Matisse, Georges Braque, Bazaine and de Stael. In The Accident of Art, his third extended conversation with Sylvère Lotringer, Virilio addresses the situation of art within technological society for the first time.
https://web.stanford.edu/dept/HPS/Virilio/Virilio_ArtoftheMotor2.html
Paul Virilio THE ART OF THE MOTOR tranlated by Julie Rose, The Art of the Motor (Minneapolis: University of Minnesota Press, 1995), pp. 133-156. The computer and special software together constitute what is known in the Virtual Reality trade as the "reality engine."
https://www.facebook.com/Paul-Virilio-81586535528/?__xts__%5B0%5D=68.ARB62qfV4n1LyMd5R3wuhmKUcQzSwGA7pSpxM4F78F-pNPmsDDU-05I0SG-rvbbQOVONUtjc-tAXNyonU7dxf2qPZ5lfeVk1AKfsG91cUEUbzPnK9ugn2xs0wZL9tg57CIfulUW-bkPaM0s3xZ2mX7doCCCOoBYViiD2385pobLO5T3is79yvy8m8ZspdLJj1t6WC4gZ8bgHpgpPmXTXhgI5xEtiRNYtlKBfnst0NOwUE_X6P3IuqkVFI5yqiSlKT1JFgs50-lXjarBPEAfyfWrjFRyp7735BBdiYrG6K9K7NKGX2fKU6QFQhpfdH1TJZyBDCWWCduGa7JO2Ww
Paul Virilio. 5,121 likes · 2 talking about this. This a a fan page for Paul Virilio. It is not the personal FB page of Mr. Virilio. We share our thoughts on his work and their relevance to current...
https://www.academia.edu/301450/The_Art_of_the_Accident_Paul_Virilio_and_Accelerated_Modernity
To expose the accident, to exhibit the accident, in the accident museum is the crucial task for Paul Virilio the artist. As artist and exhibition creator, the job is to expose the unlikely, to expose the unusual and yet inevitable, in recognising the symmetry between ‘accident’ and ‘substance’.
https://culturemachine.net/reviews/virilio-art-and-fear-oventile/
Paul Virilio (2003) Art and Fear. Trans. J. Rose. London and New York: Continuum. ISBN 0-8264-6080-1 Icons of the Human Robert S. Oventile. Barely a week into ‘Operation Iraqi Freedom’, American pundits began to worry that victory was coming too slowly because the American and British soldiers were bogging down in a potential ‘quagmire ...Estimated Reading Time: 7 mins
https://www.academia.edu/13338733/Review_of_Paul_Virilio_The_Accident_of_Art
In principle, Virilio establishes the commonsensical fact that 20 th century art is marked off by accidents: there are "nothing but disfiguring events" (p. 20) since "art is the casualty of war" (p. 17). The authors illustrate this by talking about, for example, "Beuys the bombardier and war victim" (p.
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