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Performing Artistes in Ancient India - Exotic India Art

    https://www.exoticindiaart.com/book/details/performing-artistes-in-ancient-india-IDD277/
    70 rows · There were female counterparts of almost each type of male performing artistes in ancient India ...

Performing Artistes in Ancient India (New Vistas in Indian ...

    https://www.amazon.com/Performing-Artistes-Ancient-Vistas-Indian/dp/8124602077
    Performing Artistes in Ancient India (New Vistas in Indian Performing Arts) (New Vistas in Indian Performing Arts) Hardcover – December 1, 2003Cited by: 1

Theatre of India - Wikipedia

    https://en.wikipedia.org/wiki/Theatre_of_India
    Indian theatre is one of the most ancient forms of theatre and it features a detailed textual, sculptural, and dramatic effects which emerged in mid first millennium BC. [1] [2] Like in the areas of music and dance, the Indian theatre is also defined by the …

Culture And Heritage - Performing Arts - Know India ...

    https://knowindia.gov.in/culture-and-heritage/performing-arts.php
    Important among them are Bharata Natyam, Kathakali, Kathak, Manipuri, Kuchipudi and Odissi. Bharata Natyam though it derives its roots from Tamil Nadu, has developed into an all India form. Kathakali is a dance form of Kerala. Kathak is a classical dance form revitalised as a result of Mughal influence on Indian culture.

12 PERFORMING ARTS: MUSIC, DANCE AND DRAMA

    https://www.nios.ac.in/media/documents/SecICHCour/English/CH.12.pdf
    Performing Arts: Music, Dance and Drama Notes 168 Indian Culture and Heritage Secondary Course MODULE - V Painting, Performing Arts and Architecture 12 PERFORMING ARTS: MUSIC, DANCE AND DRAMA M usic, dance, drama, folk theatre or puppetry our country India, had all of it in abundance.

Natya Shastra - Wikipedia

    https://en.wikipedia.org/wiki/Natya_Shastra
    The Nāṭya Śāstra is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not the primary goal, and that the primary goal is to transport the individual in the audience into another ...

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