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https://www.theguardian.com/culture/2004/jan/20/1
Jan 20, 2004 · One other ghost who surely haunted him was Guston's own father, whom the artist, then aged 10 or 11, reportedly found hanged after he committed suicide. Even …Author: Adrian Searle
https://www.moma.org/collection/works/100244
The Drawings of Philip Guston Sep 7–Nov 1, 1988 Against the Grain: Contemporary Art from the Edward R. Broida Collection May 3–Jul 10, 2006 5 other works identified
https://newcriterion.com/blogs/dispatch/philip-guston-then
Philip Guston in front of his painting The Studio in 1969. Photo: Frank Lloyd. ... But Guston’s mostly internecine art world rebellion in taste begs an impossible alliance between social criticism and self-regard. ... a farcically outdated machine reflecting its owner’s unbroken ties to the past—which, William Faulkner famously reminded ...
https://www.moma.org/collection/works/100276
Philip Guston. Painter in Bed. 1973. Oil on canvas. 59 5/8" x 8' 8 1/4" (151.4 x 264.8 cm). ... Contemporary Art from the Edward R. Broida Collection May 3–Jul 10, ... How we identified these works. In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos ...
https://southwestcontemporary.com/resilience-philip-guston-in-1971/
In this day of broad familiarity with Philip Guston’s figurative paintings, it’s hard to comprehend the shock of his 1970 show at Marlborough. Remember, though, that by then Guston, first Resilience: Philip Guston in 1971 Southwest Contemporary
https://www.christies.com/lot/lot-philip-guston-1912-1980-the-wall-ii-3918141/
Living a relatively isolated life in Woodstock, over the next few years, Guston grew troubled by the inappropriateness of his art amidst the increasingly traumatic political climate in America.
https://www.nighthawknyc.com/category/artists/philip-guston/
NoteWorthy Art Books of the Year, 2020. Philip Guston Now, DAP/National Gallery of Art, and Philip Guston: A Life Spent Painting. After a gap of 15 years between retrospectives of his work, two excellent overviews of Philip Guston’s remarkable oeuvre are published in one year. Deciding which one to get is hard. Both have a lot going for them.
https://www.moma.org/collection/works/79541
Hooded Ku Klux Klan figures first appeared in Guston’s works in the early 1930s in portable murals that depicted the widespread violence against African Americans. Prompted in part by the violence and civil strife of the late 1960s, Guston returned to the subject in City Limits and other paintings. “They are self-portraits,” he reflected.
https://www.moma.org/collection/works/100250
Hooded Klan figures first appeared in Guston's works after one of his Los Angeles murals was vandalized by the Ku Klux Klan in 1933. Of these figures, Guston said, "They are self-portraits. I perceive myself as being behind the hood.... The idea of evil fascinated me...
https://www.moma.org/collection/works/100255
Philip Guston Cherries 1976 Not on view While fruit is often a subject of still life paintings, these cherries are not arranged on a plate, nor do they showcase the artist's talent for …
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