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https://culturedarm.com/pierrot/
Mar 07, 2013 · Pierrot, the sad clown, with white face and loose white blouse, expressing slowly and subtly and in the absence of and beyond words, emerged in the nineteenth century from his roots in stock comedies and pantomimes to become the embodiment of a certain artistic type, a specific strain of artistic emotion: sensitive, melancholy and solitary, and at once playful and daring in subverting language ...
https://www.louvre.fr/en/oeuvre-notices/pierrot-formerly-known-gilles
Vincent Pomarède This portrait of a poetic, dreamy Pierrot is an exceptionally large painting for Watteau. It may have been a sign for a café belonging to a former actor by the name of Belloni. The stock Commedia dell’Arte characters in the lower part of the painting give it an enigmatic air.
https://www.artic.edu/artworks/150825/pierrot
Josep Palau i Fabre, Picasso: Dels Ballets al Drama (1917–1926) (Barcelona, 1999), pp. 89 and 493, no. 222 (ill.), as Pierrot.
https://www.artble.com/artists/antoine_watteau/paintings/pierrot_formerly_known_as_gilles
Watteau's Pierrot belonged to Dominique Vivant Denon, director of the Napoleon Museum during the First Empire, before it was acquired by Dr. Louis La Caze, a keen collector of 18th-century art. Louis La Caze gave all of his artworks to the Louvre in 1869. Pierrot formerly known as Gilles Artist
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