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http://www.stephenhicks.org/2012/01/21/plato-on-censoring-artists-a-summary/
Jan 21, 2012 · In my Philosophy of Art course, we are discussing Plato’s philosophy of art, by means of selections from Statesman and Books 3 and 10 of The Republic, along with snippets from Ion, Phaedrus, and Symposium. In The Republic, Plato makes a …
https://plato.stanford.edu/entries/plato-aesthetics/
Jun 27, 2008 · There is something more, something important about Plato, to be said about the label “aesthetics.” One normally speaks of aesthetics or a philosophy of art when the theory covers more than a single art form. For understandable reasons the Platonic dialogues focus on poetry, and with special energy on dramatic poetry.
https://decodedpast.com/platos-argument-art-is-an-imitation-of-an-imitation/
Sep 20, 2013 · Art can never truly represent reality, for life itself, of which art is merely a copy, does not represent reality, according to Plato. Our world “…as we experience it, is an illusion, a collection of mere appearances like reflections in a mirror or shadows on a wall.” (Quoted by Rosalind Hursthouse in “Truth and Representation ...Author: Janet Cameron
http://users.rowan.edu/~clowney/aesthetics/philos_artists_onart/plato.htm
In the Republic, Plato says that art imitates the objects and events of ordinary life. In other words, a work of art is a copy of a copy of a Form. It is even more of an illusion than is ordinary experience. On this theory, works of art are at best entertainment, and at worst a dangerous delusion.
https://oxford.universitypressscholarship.com/view/10.1093/0198237928.001.0001/acprof-9780198237921-chapter-9
Plato is clearer than much modern thinking as to what he requires from art, and because of this, can still prompt us to think profoundly about the nature and value of art. Keywords: aesthetic value, autonomy, ethical value, philosophy of art, Plato
https://www.amazon.com/fire-sun-Plato-banished-artists/dp/0198245807
Broadly speaking, Plato criticizes artists for taking the easy, unenlighted, egotistical way out. Artists produce images and imitations, for Plato. These images derive from the shadows on the cave illuminated by the fire. Their products are even more removed from reality that the illuminations seen by the people chained to look at the wall.Cited by: 6
https://resources.saylor.org/wwwresources/archived/site/wp-content/uploads/2011/09/ENGL301-The-Early-Origins-of-Literary-Theory.pdf
Plato speculated that artists make better copies of that which is true rather than which can be discovered in reality; hence, the artist can be understood as something like a prophet or visionary. Plato’s theory of art as imitation of truth had a tremendous influence upon early literary
https://www.college.columbia.edu/core/lectures/fall1999
Painters, who, unlike carpenters, are imitators need to know only what couches look like, not what they are. Plato then argues that poets too are merely imitators. Therefore, just as painters touch only the appearance of what they represent, the poets, whose subject is human action and therefore human virtue, can do no more.
https://www.cram.com/essay/Platos-View-On-Platos-Views-On-Arts/F3UQKJUHLJXXQ
Being an artist himself, who wrote decent pieces of literature in his dialogues, and started as a writer and dramatist himself, he used to denounce all main types of art such as drama, literature, fine arts and music, that is to say all that were taking after the real life.
https://journals.openedition.org/etudesplatoniciennes/997
4 Cf. Sophist 235d-236c, where faithful reproduction is associated with eikastikē in opposition to ph ; 5 This has already been stressed by Nehamas, art. cit., pp. 61-64, where he says for instance that “t ; 6 A rather literal translation of the passage of the Sophist is : “produced as if it were a human dre ; 7 It is significant that in the Sophist and in the Laws Plato is induced to ...Author: Walter G. Leszl
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