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https://www.huffpost.com/entry/why-art-is-dangerous_b_4832266
Feb 22, 2014 · Art has long been regarded as dangerous to the stability of a society and to its professed or desired ideal order. Indeed, 2,500 years ago, in a text we know as The Republic, the Greek philosopher Plato sought to banish the mimetic arts from an ideal community, because of their distracting and destabilizing effects on its citizens. However powerful, beautiful, spiritually uplifting, or life …
https://www.hstoday.us/subject-matter-areas/leadership-management/platos-fear-the-power-of-poetry-over-national-security/
Mar 01, 2019 · But what makes artists, poets in particular, so dangerous? Plato was afraid of the poet’s ability to evoke passion in audiences, and afraid that passion can overrun reason, even in trained minds. Plato was afraid of the impact of representational force. Reality, according to Platonic theory, is comprehensible through a logical process.
http://www.stephenhicks.org/2012/01/21/plato-on-censoring-artists-a-summary/
Jan 21, 2012 · Plato reminds me of Adolph Hitler who’s actions censored art that he personally disagreed with, for the good of the Fatherland. Subversive artist George Grosz effectively created an introspective judgement of Germany’s corrupted officials and undermined Hitler’s power and propaganda machine and his peculiar version of a superior Germany.
https://plato.stanford.edu/entries/plato-aesthetics/
Jun 27, 2008 · At one stroke Plato intensifies his condemnation of mimêsis, no longer a dangerous technique when it presents the wrong kinds of people but a technique that seldom presents any other kind. Tragedy’s hero, inherently impulsive and impassioned, acts contrary to the dictates of reason.
https://www.college.columbia.edu/core/lectures/fall1999
One of those reasons, which is also a main reason the Republic has disturbed so many people over the centuries, is supposed to be the fact that the ideal city will contain no art. Plato, on this picture, believes that art perverts and corrupts: being simply "imitation", it makes us attached to the wrong things - things of this world rather than eternal Forms - and depicts vile and immoral behavior on the part of the gods …
http://users.rowan.edu/~clowney/aesthetics/philos_artists_onart/plato.htm
For this reason, as well as because of its power to stir the emotions, art is dangerous. Plato's other theory is hinted at in his shorter dialogue Ion , and in his exquisitely crafted Symposium .
https://www.duo.uio.no/bitstream/handle/10852/24946/DoesxPlatoxcriticizexart2.pdf?sequence=2
also strongly indicated. A more likely way to challenge the claim that Plato criticizes art in the Republic is to point out that the description of the relationship between ideas and imitation (e.g. 569A-597B) could apply to most kinds of communicative practices of today (e.g. art, television, newspapers, writing) rather than to art specifically.
https://utopiafiction.com/art-as-imitation/
– Quote from Metaphysics as a Guide to Morals by Iris Murdoch. For Plato, the fact that art imitates (mimesis), meant that it leads a viewer further and further away from the truth towards an illusion. This belief leads Plato to the determination that art leads to dangerous delusion.
https://decodedpast.com/platos-argument-art-is-an-imitation-of-an-imitation/
Sep 20, 2013 · This painting by Raphael, 1509, depicts Plato. Image by unknown photographer. Plato (427-347 BC) has had an enormous influence on Western philosophy. His teacher was Socrates, who was condemned to death for his so-called “subversive influence” on the youth of Athens. Socrates appears in many of Plato’s dialogues.Author: Janet Cameron
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