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https://philarchive.org/archive/OMOTCA
carpenter who created from the idea. Plato thus opines that artist/ poet takes man away from reality rather than towards it. Thus artist deals in illusion.7 According to Plato, “The imitator or maker of the image knows nothing of true existence; he knows appearance only… The imitative art is …
http://classics.mit.edu/Plato/republic.11.x.html
For example: A painter will paint a cobbler, carpenter, or any other artist, though he knows nothing of their arts; and, if he is a good artist, he may deceive children or simple persons, when he shows them his picture of a carpenter from a distance, and they will fancy that they are looking at a real carpenter…
https://open.library.okstate.edu/introphilosophy/chapter/plato-on-the-value-of-art-and-imitation/
Jan 18, 2021 · 64 Plato – On the Value of Art and Imitation Jeff McLaughlin. Republic Book X. SOCRATES – GLAUCON ... and there are three artists who superintend them: God, the maker of the bed, and the painter? ... For example: A painter will paint a cobbler, carpenter, or any other artist, though he knows nothing of their arts; and, if he is a good ...Author: Jeff McLaughlin
https://utopiafiction.com/art-as-imitation/
In book X of the Republic Plato describes the metaphor of the three beds. One bed is an idea created by God. The second bed is created by a carpenter who by constructing the bed imitates God’s idea. The painter than paints the bed and by doing so he imitates the carpenter’s created bed.
https://vernoulli.wordpress.com/2016/02/17/plato-the-republic-book-x/
Feb 17, 2016 · According to Plato, there are three creators of this “bed” which also fits into his hierarchical scheme of reality: God, a carpenter, and an artist. The first level is God because he is responsible for “making” the bed, for giving the idea of the bed. The second level is the carpenter, who actually crafts the bed, and the third is the artist, who creates an image of the bed that God and the carpenter …
https://plato.stanford.edu/entries/plato-aesthetics/
Jun 27, 2008 · The couch- and table-making carpenter practices a trade whose patron is Athena, while myths known to Plato depict her as the original user of both flute (Pindar 12th Pythian Ode) and bridle (Pindar 13th Olympian Ode). If these associations stand up under scrutiny, they put the imitator at the opposite pole from a god, rendering the products of imitation not only lowly nothings but malevolently …
https://flurryofleaves.wordpress.com/2015/10/14/the-republic-book-x-plato/
Oct 14, 2015 · So, to recap, god creates the idea and the first form, the carpenter makes an imitation of the form, and the artist merely records the appearance of the form; “and the [artist] is an imitator, and therefore, like all other imitators, he is thrice removed from the king and from the truth” (Republic 69).
https://aestheticstoday.blogspot.com/2014/09/platos-take-on-inspiration-ion.html
Sep 09, 2014 · In both writings we have a series that starts from and moves away from God. In the Republic, God is the creator of the ideal bed, the carpenter is the maker of the bed in the world of appearances, ... artists have found more support in Plato's theory of …
https://melcosio.wordpress.com/2017/09/22/is-art-deceptive/
Sep 22, 2017 · “a painter will paint a cobbler, carpenter, or any other artist, though he knows nothing of their arts; and, if he is a good artist, he may deceive children or simple persons, when he shows them his picture of a carpenter from a distance, and they will fancy that they are looking at a real carpenter. I think that Plato is saying that the artist is deceiving when he claims his painting to be something …
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