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https://www.jstor.org/stable/4428372
PLOTINUS AND THE THEORY OF ARTISTIC IMITATION BY AUDREY N. M. RICH In the opening chapter of his Life ol Plotinus, Porphyry remarks that his master was so ashamed of being in the body that he could never bring himself to discuss his birth, his parentage or his native country; moreover, he consistently refused to sit for his portrait to a
https://www.academia.edu/14155099/Plotinus_and_the_Artistic_Imagination
Plotinus imagines an art which is a product of noetic thought as made possible by the imagination, in contrast to an art which is a product of sense perception and discursive reason. The forming principles possess true beauty, as described by Diotima, and thus "they make up what is defective in things," which includes the imagination itself.
https://docs.rwu.edu/saahp_fp/31/
All art is metaphysical, and is an expression of intelligible form in imagination, an expression of an intellectual idea that can be differentiated from sensible form in intellectual apprehension. There are many ways in which the tenets of the thought of Plotinus become currents of art and aesthetic theory as it develops to the present day.Author: John S Hendrix
https://brill.com/view/journals/mnem/13/1/article-p233_14.xml?language=en
Jan 01, 1960 · Plotinus and the Theory of Artistic Imitation In: Mnemosyne. Author: Audrey N.M. Rich 1 View More View Less. 1 1CAMBRIDGE, Girton College Online Publication Date: 01 Jan 1960 In: Volume 13: Issue 1 ...Cited by: 2
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