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https://www.sparknotes.com/lit/portraitartist/character/emma-clery/
A Portrait of the Artist as a Young Man. Emma is Stephen's "beloved," the young girl to whom he is intensely attracted over the course of many years. Stephen does not know Emma particularly well, and is generally too embarrassed or afraid to talk to her, but feels a powerful response stirring within him whenever he sees her. Stephen's first poem, "To E— C—," is written to Emma.
https://www.litcharts.com/lit/a-portrait-of-the-artist-as-a-young-man/characters/e____-c____-emma-clery
The timeline below shows where the character E____ C____ (Emma Clery) appears in A Portrait of the Artist as a Young Man. The colored dots and icons indicate …
https://www.litcharts.com/lit/a-portrait-of-the-artist-as-a-young-man/characters
A Portrait of the Artist as a Young Man Character Analysis LitCharts. A Portrait of the Artist as a Young Man ... (Emma Clery) Minor Characters. Simon Dedalus. Stephen ’s father, a joker and merrymaker from Cork who supports the Irish nationalist Parnell and distrusts the church. He has held a string of different jobs in his lifetime; as ...
https://www.sparknotes.com/lit/portraitartist/symbols/
Emma. Emma appears only in glimpses throughout most of Stephen's young life, and he never gets to know her as a person. Instead, she becomes a symbol of pure love, untainted by sexuality or reality. Stephen worships Emma as the ideal of feminine purity.
https://litaid.com/analysis-of-major-characters-a-portrait-of-the-artist-as-a-young-man/
A Portrait of the Artist as a Young Man is above all a portrait of Stephen Dedalus. It is through Stephen that we see his world, and it is his development from sensitive child to rebellious young man that forms the plot of the novel. ... Emma Clery. Emma is Stephen’s “beloved,” the young girl to whom he is intensely attracted over the ...
https://www.sparknotes.com/lit/portraitartist/characters/
Stephen Dedalus. The main character of A Portrait of the Artist as a Young Man. Growing up, Stephen goes through long phases of hedonism and deep religiosity. He eventually adopts a philosophy of aestheticism, greatly valuing beauty and art. Stephen is essentially Joyce's alter ego, and many of the events of Stephen's life mirror events from Joyce's own youth.
https://www.sparknotes.com/lit/portraitartist/quotes/
A Portrait of the Artist as a Young Man. Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was coming down along the road met a nicens little boy named baby tuckoo. . . . His father told him that story: his father looked at him through a glass: he had a hairy face.
https://www.cliffsnotes.com/literature/p/a-portrait-of-the-artist-as-a-young-man/summary-and-analysis/chapter-v
The reappearance of Emma Clery, the object of Stephen's first verse (written more than ten years ago), inspires him to write a villanelle, which incorporates all of his conflicting emotions concerning women — his worship of them, his desecration of them, and his need to feel fulfilled by them.
https://www.sparknotes.com/lit/portraitartist/section6/
A Portrait of the Artist as a Young Man offers another such spiritual autobiography, as Joyce explores his own spiritual history through the character of Stephen Dedalus. Joyce places Stephen's glimpse of hell at the exact center of his novel, giving it a structure similar to that of Dante's Divine Comedy, of which Inferno is the first part.
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