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https://teara.govt.nz/en/post-object-and-conceptual-art
Post-object art was about ideas, rather than simply technique. The rise of post-object art. Post-object art initially came out of the sculpture departments of art schools in the late 1960s. Some important post-object artists, such as Jim Allen, taught in those art …
https://teara.govt.nz/en/post-object-and-conceptual-art/page-1
What is post-object art? Installations. Rather than make discrete objects out of traditional materials (stone, wood, clay, and so forth),... Making art meaningful. Influenced by the legacy of 20th-century French artist Marcel Duchamp, artists drew on... The post-object art network. In post-object ...
https://teara.govt.nz/en/post-object-and-conceptual-art/page-2
The rise of post-object art The influence of art schools. Post-object art emerged from sculpture departments at the art schools in Auckland and... Jim Allen. Allen in particular has been recognised as an important catalyst, especially after an influential sabbatical... Venues. Works by Allen, his ...
https://teara.govt.nz/en/post-object-and-conceptual-art/print
Instead of creating objects out of clay, wood or stone, post-object artists assembled materials and staged events in carefully selected locations. Their aim was to make audiences think about ideas and experiences. What is post-object art?
https://teara.govt.nz/mi/post-object-and-conceptual-art/page-1
Post-object art was the term used in New Zealand, Australia and England from the late 1960s to describe art practices that extended sculpture into temporary, multi-part, mixed-media, largely ephemeral situations. Though the expression is still in use, it is best used to describe art works ...
https://www.britannica.com/art/conceptual-art
Conceptual art, also called post-object art or art-as-idea, artwork whose medium is an idea (or a concept), usually manipulated by the tools of language and sometimes documented by photography. Its concerns are idea-based rather than formal.
https://en.wikipedia.org/wiki/Barry_Lett_Galleries
Unlike most commercial galleries, Barry Lett Gallery also showed the work of 'post-object' artist Jim Allen and his students at the Elam School of Fine Arts, such as Leon Narbey. [7] In 1975 the gallery celebrated its tenth anniversary with a show of two works each by 14 of its core artists, including McCahon, Binney, Hotere, Mrkusich, Illingworth and Teuane Tibbo .
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