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https://www.davidcraneceramics.com/artist-statement
Artist Statement. The pottery that I make is guided by a curiosity about how the shape of a piece might tie to its surface treatment. Function and the vessel format guide the boundaries. The limited color palette of clay slips and glazes is selected through the need to simplify. My artistic vocabulary is nourished by a diverse range of historic ...
http://juliagalloway.com/artist-statement/
Artist Statement. I am interested in pottery that is joyous; beautiful objects with meaning that weave into our daily lives through use. Pottery decorates our living spaces with character and elegance.
http://www.mattkelleher.com/artist-statement/
Artist Statement. Pottery is a continuous curiosity; how it’s made, how it feels, its shape, its surface, how it exists in a home as an object, or a tool, or maybe an image. When making pottery, I search for poised forms that suggest sculpture, respect utility and perform well; they should be …
https://pincupottery.com/about/artist-statement/
Artist Statement: I strive to make comfortable and beautiful pots for the home that enhance the pleasure of food and the nourishment of the soul. In a world that typically severs the connection of object (or food) and maker (or grower/cook), I find it necessary to produce functional pottery that may help remind us of our earthly surroundings and our ability to create and enjoy the …
http://seanoconnellpottery.com/about/artist-statement/
Artist Statement. I am a potter. I believe in the beauty of handmade objects. Making pots is a deliberate attempt at slowing down, connecting to something deeper, and taking time to appreciate the pleasure of labor. In addition, I value the constraints of working with one material and with a certainty of purpose.
https://www.bridgethauserpottery.com/artist-statement
Artist Statement. A Lifetime in Clay. I’ve had a lifelong passion for making functional pottery, the Zen quality of the time at the wheel has always been mesmerizing and calming to me. Today my work has left the realm of high production for “slow clay”. Now my work …
https://www.stonepoolpottery.com/artist-statement
Artist statement. The town is sacked. Silver and gold, even bronze, are beaten into crude billets to be hauled off and melted. Houses burned; prisoners taken, or not. And in the wreckage: bones, stones, and potsherds. Clay’s low material intrinsic value and fragility, ironically, make it endure as one of the most compelling records of the ...
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