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https://www.huffpost.com/entry/meret-oppenheim_n_5031039
Mar 27, 2014 · Meret Oppenheim, Detail view of “Mit dem Radaugott um die Welt…” from Sansibar, 1981; Artist’s book, letterpress-printed poems, screen-prints, serigraphs, and embossing, 11 x 5 ½ in., 84/200, Edition Fanal, Basel, Switzerland; National Museum of Women in the Arts; Gift of Thomas Hill in memory of Rosemary Furtak, from her collection; Courtesy of Lisa Wenger and Martin A. Bühler ...Author: Priscilla Frank
https://www.artbook.com/catalog--art--monographs--oppenheim--meret.html
Iconic as a photographic subject and influential as a creator of iconic objects, Meret Oppenheim (1913–1985) was both artist and muse, and was uniquely liberated in both roles. In celebration of the centennial of her birth, Mirrors of the Mind looks at Oppenheim’s singular position as maker and subject of art through numerous sculptures ...
https://www.artbook.com/9783775735117.html
Feb 27, 2018 · Meret Oppenheim. Published by Hatje Cantz. Text by Elisabeth Bronfen, Heike Eipeldauer, Christiane Meyer-Thoss, Abigail Solomon-Godeau, et al. Over the course of the past hundred years or so, as sculpture has increasingly come to signify objecthood as much as carved or modeled form, Meret Oppenheim (1913-1985) stands out retrospectively as one of the twentieth century's …
https://www.credit-suisse.com/articles/news-and-expertise/2017/03/fr/the-legacy-of-meret-oppenheim-lives-on.html
Mar 23, 2017 · Meret Oppenheim avait et garde une aura de magie auprès des artistes de son époque et de la Suisse. Elle a fait de la Casa Costanza, la maison de ses grands-parents, une œuvre d'ensemble. Chaque pièce, chaque recoin laissent transparaître la personnalité et l'esprit de l'artiste.
https://www.la-croix.com/Archives/2014-02-22/Meret-Oppenheim-la-femme-aux-cent-visages-2014-02-22-1110499
Aussi fin qu'une sculpture de Brancusi, le visage de Meret Oppenheim, immortalisé par les photographies de Man Ray, a éclipsé l'artiste originale qui se cachait derrière cette « muse des ...
https://www.artlimited.net/agenda/meret-oppenheim-retrospective-peinture-sculpture-musee-art-moderne-contemporain-lille/fr/7582440
Jan 13, 2014 · Meret Oppenheim (1913, Berlin-Charlottenburg–1985, Paris) a marqué l’art du XXe siècle, de manière aussi importante que secrète. Alors qu’elle avait une vingtaine d’année, son assemblage Le Petit-déjeuner de fourrure de 1936 la fait passer du statut de muse scandaleuse du surréalisme à celui d’artiste majeure du mouvement.
https://www.christies.com/en/lot/lot-4479050
In the series of photographs made in the Montmartre atelier of artist Louis Marcoussis, Man Ray posed Meret Oppenheim, a frequent collaborator and muse, behind a giant printing wheel. Naked, with her hand and arm splattered with ink, she is a glamorous yet androgynous figure.
https://www.anothermag.com/art-photography/9595/how-meret-oppenheim-changed-the-course-of-surrealism-forever
Oppenheim enjoyed playing with conventions, and was unafraid to explore and subvert established ideas. Surrealism was said by André Breton in his Surrealist Manifesto (1928) to “glove your hand”, and, appropriately, hands and gloves became key motifs for the movement – Oppenheim couldn’t resist playing with their image. In the late 1930s she collaborated with Elsa Schiaparelli on a ...
https://www.collection.pictet/fr/selection/femmes-artistes
Ayant à cœur sa condition de femme, elle défend très tôt l’idée que « l’art n’est pas une affaire de jupon et de pantalon ». Poétesse, peintre, muse surréaliste, personnalité fascinante et insaisissable, Meret Oppenheim (1913-1985) occupe une place à part dans le paysage artistique du XX e siècle.
https://littlebookscrawl.wordpress.com/2013/04/05/women-and-surrealism-then-and-now/
Apr 05, 2013 · Fig 1: Meret Oppenheim, Object, Fur-covered cup, saucer, and spoon, Museum of Modern Art, New York, 1936 The Surrealist movement was avant-garde in attitude; looking to oppose the status quo through their practice however the location of women within and in relation to the movement was problematic.
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