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https://www.academia.edu/20553445/Rachel_Whiteread_percieved_Artist_Statement
Rachel Whiteread (percieved) Artist Statement. Ian macdonald. Ian Macdonald. Ian macdonald. Ian Macdonald. I collaborate with pure space, the final frontier, manifesting it through my material entombment. I want to immobilize and solidify the space as I record this dis-place and interpret the past, knowing you can't have it back. I translate ...
https://www.luhringaugustine.com/artists/rachel-whiteread
The artist Rachel Whiteread creates elegant and poetic sculptures which explore architecture, space, absence and memory. Often inspired by the physicality of the human body, her works are poignant for their exploration of intimate domestic spaces and household objects. Whiteread typically uses industrial materials such as plaster, resin and rubber to cast the negative space surrounding or ...
https://www.britannica.com/biography/Rachel-Whiteread
Rachel Whiteread, (born April 20, 1963, London, England), British artist known for her monumental sculptures that represent what is usually considered to be negative space. She won the Turner Prize in 1993 and represented Great Britain at the Venice Biennale in 1997.
https://www.theartstory.org/artist/whiteread-rachel/artworks/
Untitled (House) was Rachel Whiteread's most ambitious sculptural work. It is also the work with which she is forever associated.
https://www.theguardian.com/artanddesign/2020/oct/18/artist-rachel-whiteread-urges-young-dont-give-up-on-your-dreams
Oct 18, 2020 · Blood Red and Pink Triangles (March–Sept), 2020 by Rachel Whiteread, one of the artist’s new works produced in lockdown. Photograph: Prudence Cummings Associates/© Rachel Whiteread, Courtesy ...
https://www.tate.org.uk/art/artists/rachel-whiteread-2319
Biography Dame Rachel Whiteread (born 20 April 1963) is an English artist who primarily produces sculptures, which typically take the form of casts. She was the first woman to win the annual Turner Prize in 1993. Whiteread was one of the Young British Artists who exhibited at the Royal Academy's Sensation exhibition in 1997.
https://gagosian.com/artists/rachel-whiteread/
In Rachel Whiteread’s sculptures and drawings, everyday settings, objects, and surfaces are transformed into ghostly replicas that are eerily familiar. Through casting, she frees her subject matter—from beds, tables, and boxes to water towers and entire houses—from practical use, suggesting a new permanence, imbued with memory.
https://www.dazeddigital.com/artsandculture/article/16859/1/rachel-whiteread
Rachel Whiteread: Yeah. I remember when I was a baby artist I said that London is my sketchbook. For years my studio was down on Carpenters Road, which is where the Olympic site is now. You’d go there and tie your bike up for ten minutes, come back and there’d only be the frame left.
https://www.tate.org.uk/whats-on/tate-modern/exhibitionseries/unilever-series/unilever-series-rachel-whiteread-embankment-0
In a sense, Rachel Whiteread’s sculpture EMBANKMENT began with an old, worn cardboard box. She found it in her mother’s house shortly after she died. Whiteread was going through her mother’s belongings when she came upon a box she remembered well.
https://www.artangel.org.uk/project/house/
Rachel Whiteread’s cast of a Victorian terraced house in London’s East End was hailed as one of the greatest public sculptures by an English artist in the 20th century.
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