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https://www.rambert.org.uk/explore/news-and-blog/news/benoit-swan-pouffer-is-ramberts-new-artistic-director/
Benoit Swan Pouffer is Rambert’s new Artistic Director Rambert, the UK’s leading contemporary dance company, has appointed Benoit Swan Pouffer as its new Artistic Director. Benoit Swan Pouffer is an internationally-renowned dance artist, choreographer and company leader.
https://www.rambert.org.uk/about-us/people/
Artistic Director. Benoit Swan Pouffer is an internationally-renowned dance artist and company… Read more about "Artistic Director"
https://www.rambert.org.uk/about-us/people/benoit-swan-pouffer-artistic-director/
Benoit Swan Pouffer is an internationally-renowned dance artist and company leader. Born and trained in Paris, he moved to New York where he spent seven years as a principal dancer with Alvin Ailey American Dance Theater.He is probably best known for his time as Artistic Director of Cedar Lake Contemporary Ballet, a post he held from 2004.His 10 years at the helm of the company were …
https://www.rambert.org.uk/about-us/our-history/
In 1966 Morrice was appointed Associate Artistic Director of the new Company He brought in several American choreographers to make works on the Company, including Glen Tetley, who mounted Pierrot Lunaire (created for his own company in 1961) and Ricercare (originally created for American Ballet Theatre in 1966) on the ‘new’ Ballet Rambert.
https://www.rambert.org.uk/about-us/people/team/
The team behind Rambert’s work Executive Artistic Producing Technical Audiences Communities Development Operations Physio
https://www.turton.uk.com/wp-content/uploads/sites/2/2018/08/ALevel-Dance-Knowledge-Organiser_-Rambert.pdf
In the early 1990’s, audiences for contemporary dance in general were diminishing, those for Rambert Dance Company amongst them. In 1992, Alston’s period as artistic director of one of Britain’s major modern dance companies came to an end and the company began to …
https://aleveldanceguides.wordpress.com/2020/05/27/what-was-marie-ramberts-original-vision-and-ethos-and-how-did-each-artistic-director-of-rdc-implement-this-during-their-tenure/
May 27, 2020 · Long story short, Marie was unable to fully implement her original vision and ethos until 1966, when Norman Morrice was appointed artistic director and the company underwent a drastic transformation to move into the modern dance arena. “I remember a headline in the sixties describing the company as a phoenix rising from the ashes.
https://aleveldance.weebly.com/rambert.html
Alston became resident choreographer in 1980 and artistic director in 1986, consolidating the Cunningham influence. The name of the company changed to Rambert Dance Company in 1987 and Marie Rambert’s original policy to encourage new approaches …
https://www.britannica.com/topic/Ballet-Rambert
In the late 20th century the company began to expand its repertoire beyond ballet, especially under artistic director Richard Alston, who in 1987 oversaw the name change to Rambert Dance Company. Later, under Mark Baldwin, the Rambert (as it became known in 2013) notably performed works that combined various art forms.
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