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https://www.tate.org.uk/art/art-terms/r/rayograph
Photographic prints made by laying objects onto photographic paper and exposing it to light. The technique of creating photographic prints without using a camera (photograms) is as old as photography itself – but emerged again in various avant-garde contexts in the early 1920s. Artist Man Ray refined and personalised the technique to such an extent that the new prints eventually carried his name …
https://www.metmuseum.org/art/collection/search/265487
Title: Rayograph. Artist: Man Ray (American, Philadelphia, Pennsylvania 1890–1976 Paris) Date: 1922. Medium: Gelatin silver print. Dimensions: 23.9 x 17.8 cm (9 7/16 x 7 in.) Classification: Photographs. Credit Line: Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987. Accession Number: 1987.1100.42
https://www.metmuseum.org/art/collection/search/283277
Title: Rayograph. Artist: Man Ray (American, Philadelphia, Pennsylvania 1890–1976 Paris) Date: 1923–28. Medium: Gelatin silver print. Dimensions: Image: 49 x 39.8cm (19 5/16 x 15 11/16in.) Classification: Photographs. Credit Line: Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005
https://americanart.si.edu/artwork/rayograph-15624
Man Ray, Rayograph, 1921, printed 1980, gelatin silver print, Smithsonian American Art Museum, Gift of Juliet Man Ray, 1983.105.14
https://www.moma.org/collection/terms/176
As old as photography itself, photograms are photographic prints made by placing objects and other elements on photosensitive paper and exposing it to light, without the use of a camera. 4 examples Man Ray (Emmanuel Radnitzky) Rayograph 1922 Man Ray (Emmanuel Radnitzky) Rayograph 1922
https://www.moma.org/collection/works/46405
Man Ray claimed to have invented the photogram—which he called a “rayograph”—not long after he emigrated from New York to Paris in 1921. Although, in fact, the practice had existed since the earliest days of photography, he was justified in the artistic sense, for in his hands the photogram was not a mechanical copy but an unpredictable pictorial adventure.
https://www.britannica.com/technology/rayograph
or photograms, which he called rayographs. He made them by placing objects directly on light-sensitive paper, which he exposed to light and developed. In 1922 a book of his collected rayographs, Les Champs délicieux (“The Delightful Fields”), was published, with an introduction by the influential Dada artist Tristan Tzara, who…
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