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https://www.artsy.net/article/artsy-editorial-6-keys-good-artist-gallerist-relationship
Feb 22, 2019 · 6 Keys to a Good Artist-Gallerist Relationship. Scott Indrisek. Feb 22, 2019 4:42pm. Kate MacGarry and B. Wurtz. Image courtesy of B. Wurtz. Jessica Silverman and Davina Semo. Image courtesy of Davina Semo. There is no single archetype of the art …
https://www.simpsons.com.au/wp-content/uploads/chapter-3-the-artist_dealer-gallery.pdf
relationship. The basis of the much-idealised relationship between artist and gallery is, quite simply, money. Neither artist nor gallery owner should be fooled by the patina of gentility. A gallery is just another retail business. If it is not treated as such by its owner it will not remain a gallery for long.
https://artjewelryforum.org/articles/in-sight-series-high-expectations-artists-galleries-and-their-relationships-part-23
The owners of the vanguard galleries are often passionate collectors. They start a gallery because they believe in the potential of the contemporary jewelry they love. These galleries promote the ideas of the art they represent, the field as a whole, and the individual artists connected with the gallery. They offer a place where people can meet.
https://www.huffpost.com/entry/artist-gallery-relationship_b_1843703
Most galleries do not have contracts with the artists, but almost all have (and definitely should) have clear consignment agreements that show where the art is and that it is insured while on the gallery’s premises. A relationship with a gallery is a marriage of sorts.
https://www.artbusiness.com/misconceptions-artists-have-about-galleries.html
Some galleries might like you to believe that, but the artist/gallery relationship is like a partnership of sorts. Galleries provide their artists with space to exhibit their art and the artists provide …
https://www.michaelrosefineart.com/blog/tag/artist+gallery+relationship
Nov 25, 2019 · Because artists are so interested in being represented professionally, and because these resources are so scarce, artists tend to accept just about anything from their local gallerist. Commercial galleries are for profit businesses in which a gallerist makes their living representing the work of a select “stable” of artists.
https://www.huffpost.com/entry/ethics-for-artists_b_826053
Many artists leave newer galleries to partner with bigger galleries that have established reputations. Often an artist thinks the latter will help them advance their careers, but some smaller galleries will work harder for their artists than a gallery with a large roster.
https://www3.nd.edu/~jsherry/pdf/2003/Disentagling%20the%20Paradoxial%20Alliances%20between%20Art%20Market%20and%20Art%20World.pdf
High-powered galleries still act as intermediaries between artists and collectors, but gallery space has come to reflect collector rather than artist space (O'Doherty 1986). The new alliances with auction houses also serve to create a distance between artists' work …
https://www.thebalancecareers.com/commercial-vs-fine-art-1295902
Jun 25, 2019 · Artists often use commercial techniques in today's contemporary art scene. A prime example is video artist Pipilotti Rist, whose videos resemble music videos. Her work is nonetheless exhibited in art galleries and museums. Likewise, commercial artists sometimes incorporate elements of fine art into their advertising campaigns or packaging.
https://www.chicagogallerynews.com/news/2014/8/realizing-human-relationships-with-nature-through-art
Artists such as Kendler and organizations such as NRDC, are creating dialogues between contemporary artists, environmental scientists, and the art-viewing public. Through the visual communication of art, they are encouraging all of us to contemplate and re-evaluate our relationships …
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