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https://collections.mfa.org/objects/32665
[3] Although published sale results give the purchaser as "Zink," Robert Langton Douglas is said to have acquired the painting by C. Hofstede de Groot, "Rembrandt's Painter in His Studio," Burlington Magazine 47, no. 272 (November, 1925): p. 265.
https://www.mfa.org/article/2020/artist-in-his-studio
Artist in His Studio Christopher D. M. Atkins Monday, May 4, 2020 In Rembrandt’s early Artist in His Studio, the artist, clad in his smock and armed with brush …
https://collections.mfa.org/objects/details.detail.secondarymedia:update-media-zone/32665/1150664;t:ac=32665/artist-in-his-studio
[3] Although published sale results give the purchaser as "Zink," Robert Langton Douglas is said to have acquired the painting by C. Hofstede de Groot, "Rembrandt's Painter in His Studio," Burlington Magazine 47, no. 272 (November, 1925): p. 265.
https://www.amazon.com/Rembrandt-Harmensz-Rijn-Artist-Studio/dp/B002DVCYDU
Rembrandt Harmensz. van Rijn Artist in His Studio, about 1628. Oil on panel. Museum of Fine Arts, Boston. Zoe Oliver Sherman Collection given in memory of Lillie Oliver Poor. Photograph Museum of Fine Arts, Boston. 38.1838. Museum-quality Archival Replica-Fine Art Prints capture the look and feel of the original artwork
https://collections.mfa.org/collections/315129/aoerembrandt/objects
Explore the MFA's holdings of Rembrandt's paintings. A portrait of Aeltje Uylenburgh, aged 62 by Rembrandt Harmensz. van Rijn (1606–1669)—on loan to the MFA from the collection of Rose-Marie and Eijk van Otterloo—joins five other paintings by Rembrandt in the Museum's permanent collection.
https://www.mfa.org/exhibitions/rembrandt-etcher
See Rembrandt’s work in etching as a dramatic dialogue of darkness and light. Etching as a printmaking medium emerged in the early 16th century in Germany and Italy, but its full creative potential only was realized with Rembrandt Harmensz. Van Rijn’s activity as an etcher from 1630 to 1661. This exhibition of 45 works, drawn primarily from the MFA’s collection, explores the unprecedented range of subject matter, format, and graphic vocabulary in the nearly 300 etchings that Rembrandt ...
https://www.mfa.org/series/why-rembrandt
This year marks 350 years since the death of Rembrandt van Rijn, the greatest master of the Dutch Golden Age. Commemorate his legacy with us as we learn how Rembrandt became the artist he was and consider why we’re still fascinated by him today. Take the full five-week course or choose the lectures that interest you most.
https://artsandculture.google.com/asset/a-painter-in-his-studio/EgHZTTqrQIxWHw
Details. Title: A painter in his studio. Creator: Rembrandt Harmensz van Rijn ( Anonymous pupil of) Date: 1600 - 1700. Physical Dimensions: w64.5 x h53 cm. Painter: Rembrandt Harmensz van Rijn (...
https://www.mfa.org/news/class-distinctions
BOSTON, MA (October 5, 2015)—This fall, the Museum of Fine Arts, Boston (MFA), will debut Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer, the first exhibition to look at 17th-century Dutch paintings through the lens of the social classes. Including 75 paintings from collections both in the US and abroad, the exhibition—on view from October 11, 2015–January 18, 2016—will feature major works by artists including Rembrandt …
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