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https://useum.org/Renaissance/Perspective
The Birth of Perspective Renaissance artists focused on developing new techniques and artistic methods of composition and aesthetic effect. In addition to the renewed interest in antiquity, these included the formulation of perspective and the emphasis on architectural forms.
http://www.webexhibits.org/sciartperspective/raphaelperspective1.html
In the rest of the century following Masolino’s breakthrough, almost all Renaissance artists turned to the use of perspective to enhance their compositions, notably Masaccio, Mantegna, Fra Angelico and Leonardo. The Renaissance use of perspective reached its apogee at around 1500, as represented by the incandescent work of Raphael.
https://www.theartstory.org/movement/early-renaissance/
Based in this flourishing new environment that empowered people to fully immerse themselves in studies of the humanities, Early Renaissance artists began to create work intensified by knowledge of architecture, philosophy, theology, mathematics, science, and design.
https://www.ehow.com/facts_4897120_techniques-used-renaissance-art.html
The mathematical precision of architectural linear perspective, applied to painting, allowed Renaissance artists to create a sense of real dimension in their work. By painting subjects so that they became smaller and appeared to vanish into the distance, artists added depth and the illusion of rounded, whole shapes to flat stucco walls or canvas.
https://www.britannica.com/art/perspective-art
Linear perspective dominated Western painting until the end of the 19th century, when Paul Cézanne flattened the conventional Renaissance picture space. The Cubists and other 20th-century painters abandoned the depiction of three-dimensional space altogether and …
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