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https://useum.org/Renaissance/Perspective
One of the distinguishing features of Renaissance art is the development of linear perspective. Although before Renaissance artists such as Giotto tried to use perspective in their paintings, it was only with the Italian architect Filippo Brunelleschi, who demonstrated its principles, and the writings of Leon Battista Alberti, who wrote about the perspective and presented a perspective construction in his De Pictura in …
http://www.webexhibits.org/sciartperspective/raphaelperspective1.html
In the rest of the century following Masolino’s breakthrough, almost all Renaissance artists turned to the use of perspective to enhance their compositions, notably Masaccio, Mantegna, Fra Angelico and Leonardo. The Renaissance use of perspective reached its apogee at around 1500, as represented by the incandescent work of Raphael.
https://www.theguardian.com/artanddesign/jonathanjonesblog/2011/dec/27/renaissance-art-perspective
Dec 27, 2011 · This German painter who worked at the court of Henry VIII was far in advance of homegrown artists as a master of Renaissance techniques. Distorted perspective is a …
https://www.khanacademy.org/humanities/renaissance-reformation/early-renaissance1/beginners-renaissance-florence/a/early-applications-of-linear-perspective
It was not long before a decisive step was taken by Leon Battista Alberti, who published a treatise on perspective, Della Pitture (or On Painting ), in 1435. Once Alberti's treatise was published, knowledge of perspective no longer had to be passed on by word of mouth.
https://www.britannica.com/art/linear-perspective
Andrea Mantegna (who also mastered the technique of foreshortening), Leonardo da Vinci, and German artist Albrecht Dürer are considered some of the early masters of linear perspective. As the limitations of linear perspective became apparent, artists invented additional devices (e.g., foreshortening and anamorphosis ) to achieve the most-convincing illusion of space and distance.
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