Richard Nocera Artist

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Richard Nocera

https://www.richardnocera.com/

Richard Nocera About. Scroll. BLACK AND WHITE RAINBOWS . For Nocera, the presence of black, the presence of white, and the interaction of the two presences comprise a symbolic harmony, a balancing of two contrasting – but mutually reliant – principles. ... The Sequoia series is named after the artist’s daughter, born of an African ...

Richard Nocera — ATELIER NEWPORT

https://www.ateliernewport.com/richard-nocera

Richard Nocera was born in Waltham, Massachusetts, in 1973. His formal introduction to the arts occurred while attending the distinguished Cambridge School of Weston where serious emphasis was placed on drawing, painting and sculpture. Following his graduation in 1992, he was accepted into The Parsons School of Design in New York City.

Richard Nocera - 10 Artworks, Bio & Shows on Artsy

https://www.artsy.net/artist/richard-nocera

Find the latest shows, biography, and artworks for sale by Richard Nocera

Richard Nocera Galerie MX Montréal

https://www.galeriemx.com/en/artists/richard-nocera/

Born in 1973 in Waltham, Massachusetts, Richard Nocera began his formal artistic studies at the prestigious Cambridge School of Weston. He continued at the Parsons School of Design in New York, which gave him the opportunity to broaden his techniques. In 1994, he was accepted into the extremely selective program, Parsons Paris.

Richard Nocera moremen gallery

https://www.moremengallery.com/richard-nocera

Richard Nocera. ARTIST STATEMENT . These paintings are born of gesture, but they are not accidents. They embody both a task and a journey, making me aware of what it means to give and to receive. The process itself is reflective. I close my eyes and breathe. I open my eyes and immediately strike (or stroke) the surface with the loaded trowel.

Richard Nocera (new) — Candita Clayton Gallery

https://www.canditaclaytongallery.com/richard-nocera-new

Richard Nocera Artist Statement. These paintings are born of gesture, but they are not accidents. They embody both a task and a journey, making me aware of what it means to give and to receive. The process itself is reflective. I close my eyes and breathe. I open my eyes and immediately strike (or stroke) the surface with the loaded trowel.