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Robert Morris Box with the Sound of Its Own Making The ...

    https://www.metmuseum.org/art/collection/search/689665
    Robert Morris. From inside an otherwise ordinary wooden box emerge the occasional sounds of hammering, sawing, and sanding. These sounds form part of a three-and-a-half-hour recording that Morris created while making the very box in front of us. The audio soundtrack reframes our experience of the work, suggesting an ongoing act of labor, which is interrupted only by the necessity to rest or …

Box with the Sound of Its Own Making, 1961 - Robert Morris ...

    https://www.wikiart.org/en/robert-morris/box-with-the-sound-of-its-own-making-1961
    As its title indicates, Morris's "Box with the Sound of Its Own Making" consists of an unadorned wooden cube, accompanied by a recording of the sounds produced during its construction. Lasting for three-and-a-half hours, the audio component of the piece denies the air of romantic mystery surrounding the creation of the art object, presenting it as a time-consuming and perhaps even tedious endeavor.Artist: Robert Morris

Box with the Sound of its Own Making - Big Picture: Art ...

    http://bigpicture.site.seattleartmuseum.org/works/box-with-the-sound-of-its-own-making/
    –Robert Morris A three-and-a-half hour audio recording documents the process of Robert Morris constructing this box. Uninterested in gesture and texture, his “Notes on Sculpture” essays in Artforum in 1966 laid claim to Minimalism as a movement and defined it by rejecting the uniqueness of the art object and instead emphasizing the artwork’s relationship to the viewer.

Object of the week: Box with the Sound of Its Own Making ...

    http://samblog.seattleartmuseum.org/2018/12/box-with-the-sound-of-its-own-making/
    Dec 07, 2018 · Honoring the life and legacy of Robert Morris, who passed away last Wednesday, this week’s Object of the Week highlights his iconic 1961 piece, Box with the Sound of Its Own Making. A founder of Minimalism, Morris’s 1966 series of essays Notes on Sculpture cemented his reputation as a pioneering sculptor as well as a critical thinker. Among his many contributions to contemporary art of …

Box with the Sound of Its Own Making (exhibition copy)

    https://postwar.hausderkunst.de/en/artworks-artists/artworks/box-with-the-sound-of-its-own-making-exhibition-copy-kiste-mit-dem-geraeusch-von-ihrer-eigenen-herstellung-ausstellungsduplikat
    On the surface, Box with the Sound of Its Own Making seems to be exactly what the title suggests; Morris recorded the sounds of the box’s construction – including sawing, sanding, and hammering – then placed a speaker inside that transmits the work’s own three-hour “history.”

Robert Morris – Box with the Sound of Its Own Making, 1961

    https://jessicahmanley.wordpress.com/2013/03/26/robert-morris-box-with-the-sound-of-its-own-making-1961/
    Mar 26, 2013 · Robert Morris – Box with the Sound of Its Own Making, 1961 A nine-inch walnut cube containing a three-hour tape recording of the construction of the box itself. This clever one liner beautifully encompasses the misconception of creation and the artist as genius. It very clearly lays out the actual process that has gone into a work.

Robert Morris Artworks & Famous Sculptures TheArtStory

    https://www.theartstory.org/artist/morris-robert/artworks/
    Nov 28, 2018 · Box with the Sound of Its Own Making. As its title indicates, Morris's Box with the Sound of Its Own Making consists of an unadorned wooden cube, accompanied by a recording of the sounds produced during its construction. Lasting for three-and-a-half hours, the audio component of the piece denies the air of romantic mystery surrounding the creation of the art object, presenting it as a …

Site, 1964 - Robert Morris - WikiArt.org

    https://www.wikiart.org/en/robert-morris/site-1964
    Site recalls Box with the Sound of Its Own Making through its use of an audio recording and focus on the banal (de)construction of a wooden structure, but here the situation is more complex and ambiguous; it is unclear whether the anonymous masked Morris or the nude Schneemann, whose pale skin and white backdrop discourage attention, is the focal point of the performance-an ambiguity that prompts the viewer to consider the relative importance of …

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