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https://www.aaa.si.edu/collections/interviews/oral-history-interview-robert-morris-13065
Summary: Interview of Robert Morris conducted 1968 Mar. 10, by Paul Cummings, for the Archives of American Art.
https://www.interviewmagazine.com/art/robert-morris
Jan 05, 2014 · Artist Wade Guyton, who had been one of Morris’s students at Hunter College in 1996, conducted the following interview via e-mail-Morris’s stipulation—over a course of weeks this past fall. WADE GUYTON: Last year, I was working on a show for the Whitney, and I went through the museum’s archive to see what had been—and could be—done ...Estimated Reading Time: 8 mins
https://www.interviewmagazine.com/art/the-last-interview-with-sculptor-robert-morris
Dec 01, 2018 · Robert Morris by Grant Delin for Interview Magazine (2014) Attempting to interview Robert Morris runs the risk of receiving Unavailable, a 2011 letter written by the artist listing the reasons why he is unable to accommodate the request.Estimated Reading Time: 5 mins
https://www.aaa.si.edu/collections/interviews/oral-history-interview-robert-morris-17559
The following oral history transcript is the result of a recorded interview with Robert Morris, conducted by Svetlana Kitto for the Archives of American Art, at the artist's studio in Gardener, New York on April 19 and 20, 2018. Svetlana Kitto has reviewed the transcript.
https://www.sequenza21.com/2016/09/interview-with-robert-morris/
Sep 10, 2016 · On September 15-18 at Spectrum, Collide-O-Scope Music begins its eighth season with a Festival celebrating the music of Robert Morris. A wide range of works will be featured, for electronics, piano, small chamber ensemble, and string quartet. In addition to …
https://www.theartstory.org/artist/morris-robert/
Nov 28, 2018 · Summary of Robert Morris. Robert Morris was one of the central figures of Minimalism.Through both his own sculptures of the 1960s and theoretical writings, Morris set forth a vision of art pared down to simple geometric shapes stripped of metaphorical associations, and focused on the artwork's interaction with the viewer.
https://smarthistory.org/robert-morris-untitled-l-beams/
Robert Morris, Untitled (L-Beams), 1965, originally plywood, later versions made in fiberglass and stainless steel, 8 x 8 x 2′ Unfortunately, any photograph of Robert Morris’s Untitled (L-Beams) is going to miss the point if we want to understand the object both in an artistic and material sense.
https://spruethmagers.com/artists/robert-morris/
Robert Morris Robert Morris (1931–2018) was one of the most influential figures in postwar American art. His extraordinarily versatile practice encompassed dance performance, minimalist sculpture, earthworks, drawing, painting, film, photography, collage, readymades and theoretical essays.
https://mitpress.mit.edu/books/robert-morris
This October Files volume gathers essays, an interview, and a roundtable discussion on the work of Robert Morris, one of the most influential American artists of the postwar period. It includes a little-known text on dance by Morris himself and a never-before-anthologized but influential catalog essay by Annette Michelson.
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