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https://www.roddickinson.net/pages/index.php
ROD DICKINSON. « ». Our contemporary world is saturated with feedback systems; in our workplaces, in our everyday lives and in our technology and media systems. My artworks explore how they act as a form of control and how we interact with them, often unconsciously performing prescribed roles.
https://www.roddickinson.net/pages/projects.php
artist rod dickinson's projects spanning the last 10 years
https://www.roddickinson.net/jonestown/biog.html
Rod Dickinson's art work has focussed on an ongoing involvement andfascination with several areas of peripheral belief; including crop cirlesand UFOs. For the last decade he has covertly created crop circles. His art work has been widely exhibited in contemporary art galleries whichinclude: Huntington Beach Art Centre, California, USA; Centre forContemporary Art, Glasgow, Scotland, UK; Camerawork Gallery, …
https://www.roddickinson.net/pages/milgram/performance.php
Images of the live 3hr 45 min performance of The Milgram Re-enactment, 2002, (Rod Dickinson in collaboration with Graeme Edler and Steve Rushton) Above: George Caldwell as Subject 0236 (Defiant at level 21) The experiment was designed to test the limit to which subjects were prepared to follow the orders of a scientist.
https://www.roddickinson.net/pages/outlier/project-synopsis.php
Outlier Detection, 2016, Rod Dickinson Live Data, 3D model, Video stream and museum artefact (Victorian Police Truncheon) Synopsis: Outlier Detection is a computational artwork consisting of a 3D scan of a Victorian police truncheon, held in the collection of the Royal Albert Memorial Museum & Art Gallery (RAMM), in Exeter, UK.. The 3D model is animated by a stream of live data.
https://www.roddickinson.net/pages/milgram/project-synopsis.php
The shouting is part of the postmodern horseplay of Rod Dickinson's installation The Milgram Re-enactment, a restaging of Stanley Milgram's notorious 1961 experiment, Obedience to Authority. The issue of obedience is inescapable, even 40 years on, and with an audience that is in on the joke.
https://www.roddickinson.net/pages/greenwich/project-greenwich.php
Greenwich Degree Zero, 2005-6, Rod Dickinson and Tom McCarthy Dimensions Variable, Aprox 10m x 12m, Mixed media Synopsis: Greenwich Degree Zero is an installation of recreated 19th century media (newspapers, news clippings, pamphlets, early film, photographs and map) that fictionalised reports of a real attempted bombing of Greenwich Observatory in 1894.
Rod Dickinson is a visual artist and Senior Lecturer in BSc(Hons) Digital Media, at the University of West England in Bristol, many of his performative and media based artworks explore the way in which we interact with media feedback systems.
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