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https://contimporary.org/app/webroot/csac/eng/projects/gioconda/miller/
Roland Miller. (Great Britain) THE PERFORMER’S FEAR OF THE ACTOR. In the case of Performance Art, a form of visual art In which the artistuses her or his own body as the material, there is not, I think, any needfor personation or mimesis. There is no need for acting. I do not think that the identity of the performer is important In performanceart.
https://shirleycameron.org/
In 1970 I was teaching at Swansea and Carmarthen Schools of Art and I met Roland Miller who was then performing with The People Show. We started working in a partnership which combined our ideas and skills in art and in performance and so began our Performance Art work together.
http://www.contexts.com.pl/en/artists/roland-miller
Roland Miller studied English Language at Oxford University and later gained a PhD examining his own work, Performance Art. In the 1960s worked in The People Show experimental theatre group and worked as a journalist. In 1970 he formed Landscapes and Living Spaces with Shirley Cameron.
https://1970s.thisisliveart.co.uk/shirley-cameron-and-roland-miller/
Shirley Cameron and Roland Miller. Having been taught and supported by Anthony Caro whilst a sculpture student at St Martin’s, Cameron met Miller, who was performing in The People Show. They went on to make performance works together throughout the 70s. Later Cameron teamed up with Monica Ross and Evelyn Silver to make performances in the 80s.
https://www.leftbankstudios.com/uk-history/
DDart Performance Art, UK 1972-1984 ... and performance artist Roland Miller. DDart evolved out of a large travelling performance art group, “Soft Soap” which I founded and refereed in the early seventies. DDart’s aim was to create striking visual images in public places as performance artists. We believed in the ability of the general ...
https://www.jstor.org/stable/25556629
performance at ARE, Roland Miller de scribed the role of Polish artists in society. The following is a synopsis of that ac count. Our first visit to Poland was in March 1978 - the most recent in October 1981. We were struck by the status enjoyed by Polish ar tists, and by the consequent ease with which we could present our own (perfor mance) artworks. ZPAP, the Polish artists'
https://www.facebook.com/roland.miller.526875?pageid=12566691349&ftentidentifier=10158292092271350&padding=0
Roland Miller is on Facebook. Join Facebook to connect with Roland Miller and others you may know. Facebook gives people the power to share and makes the... Jump to. Sections of this page. ... Kelvin Okafor Art, Liberty Shuro Wildlife Artist, Xi Jinping, Prime Minister's Office, ...
http://1970s.thisisliveart.co.uk/wp-content/uploads/2016/09/Glimpses-of-Before-UK-Performance-Art-in-the-1970s-Helena-Goldwater.pdf
Cameron and Roland Miller, Helen Chadwick, or Rose Finn-Kelcey, and more; ... ‘Performance Art’ is a construct, a constrict, a myth, a boundary, a political problem, disputed territory. There’s slippage in all things. There’s a question for all words. There are no certainties.
https://performancemagazine.co.uk/pdf/issue-19-octnov-1982/
PreviousNext Issue 19 Oct/Nov 1982ContentsIs Performance Art Dead? by Roland Miller () Noe-Naturism: B2 Gallery and David Dawson by Rob La Frenais () Nuova Spettacolorita!: Italian Performance by John Ashford () Art On The Run by Rob La Frenais () A Firm Undertaking: the funeral of Violet Kray by Roberta M Graham () New York […]
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