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Ron Amstutz New York based visual artist who’s work incorporates dance, animation, performance, painting, video and photography.
https://ronamstutz.com/studio/
Nov 22, 2014 · Ron Amstutz Art. Home Main. Links; Connect; Studio; Return to Content. Lines from build-up of painted set. By Ron Amstutz on November 22, 2014 in Studio Views. Painting End Light. By Ron Amstutz on November 22, 2014 in Studio Views. Studio View of Set tape for new light segment.
https://ronamstutz.com/connect/
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https://www.artnews.com/art-news/reviews/sky-limit-laura-owens-top-form-superb-whitney-museum-retrospective-9592/
Jan 04, 2018 · RON AMSTUTZ/COURTESY CAPITAIN PETZEL, BERLIN/COLLECTION OF THE ARTIST L aura Owens’s mid-career survey at the Whitney Museum of American Art is a game changer. The 70 or so paintings on view...Author: Phyllis Tuchman
https://www.artnews.com/art-news/reviews/toni-morrison-2019-whitney-biennial-13247/
Sep 19, 2019 · RON AMSTUTZ I n her 1993 essay “Coalition Politics,” activist and composer Bernice Johnson Reagon describes the necessary work of coalition-building, a …Author: Taylor Renee Aldridge
https://www.artnews.com/art-news/news/how-museums-title-shows-2340/#!
Dec 09, 2013 · RON AMSTUTZ Los Angeles–based artist Frohawk Two Feathers gave his current show at Hamilton College’s Ruth and Elmer Wellin Museum of Art …
https://whitney.org/exhibitions/zoe-leonard
Photograph by Ron Amstutz Installation view of Zoe Leonard: Survey (Whitney Museum of American Art, New York, March 2–June 10, 2018). From left to right: Preserved Head of a Bearded Woman (Musée Orfila) , 1991; Niagara Falls no. 4 , 1986/1991; Untitled , 1984/1991.
https://whitney.org/exhibitions/toyin-ojih-odutola
Oct 20, 2017 · Photograph by Ron Amstutz Toyin Ojih Odutola (b. 1985), Unclaimed Estates , 2017 (installation view, Whitney Museum of American Art). Charcoal, pastel, and pencil on paper, 77 × 42 in. (195.6 × 106.7 cm).
https://www.glenstone.org/art/exhibition/room-2/
As part of the Pavilions’ inaugural installation, Room 2 features 65 works by 53 artists dating from 1943 to 1989. Organized both geographically and chronologically, the installation highlights major moments in the history of post-war art, including avant-garde movements that flourished in 1950s New York, 1960s Japan, 1970s Brazil, and 1980s Germany.
https://www.frieze.com/article/how-artist-bruce-nauman-plays-edges-human
‘My work’, Bruce Nauman told Art in America in 1988, ‘comes out of being frustrated about the human condition.’ Black radical aesthetics and criticism prefigured my encounter with ‘Disappearing Acts’, the artist’s retrospective survey at the Museum of Modern Art and MoMA PS1 in New York, which was first mounted at The Schaulager last summer in Basel.
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