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https://www.artgallery.nsw.gov.au/collection/works/182.2015/
Rosemary Laing’s artistic practice deals with time, transformation, and connection to place. Her work often acts as an intermediary between grand historical narratives and their legacy. Critically re-evaluating our relationship to land through the themes of past and present ownership, Laing’s photographs offer revisionary narratives.
https://artguide.com.au/rosemary-laing
Dec 04, 2017 · Throughout a long career Rosemary Laing has created elegant, conceptual photographs that explore cultural and historical notions of place. The TarraWarra Museum of Art is presenting a solo exhibition of her work (consisting of 28 large-scale works spanning a 30-year period) focusing on Australia’s complex relationship to land.
http://asset.artmuseum.uq.edu.au/docs/RosemaryLaingEdKit.pdf
landscapes of Rosemary Laing focusing on Laing’s project-based processes and their relationship to the film shoot and the plein air tradition of imaging the landscape. Admission: Free Rosemary Laing Secondary Study Morning -for Year 11 and 12 Students Tuesday 10 May, 10.00am – 1.00pm Investigate the practice of Rosemary Laing,
https://www.galerielelong.com/artists/rosemary-laing
Rosemary Laing is an Australian artist known for her photo-based work that is cinematic in vision and created with real-time performance and physical installation as opposed to digital manipulation. In culturally and historically resonant locations across Australia, Laing meticulously stages interventions.
https://www.artgallery.nsw.gov.au/collection/works/299.2004.10/
About. The nature of place, landscape and habitation, and the relationship between technology, time and speed, are central tenets of Rosemary Laing’s photographic practice. Since the 1980s Laing has searched for ways to represent these multifarious terms, often suspending contradictory elements – such as speed and stasis or nature and culture – in the one image in order to conceptualise nuances …
https://www.galerieconrads.de/artists/rosemary-laing/
Rosemary Laing is internationally recognised as a leader in the field of concept-based photo media. Trained as a painter, Laing has explored conceptually based photography and performance since the 1980s. Laing's work is all about dramatisation, using people, props and stunts to create performances in which the landscape symbolises something other than the "usual".
https://artmap.com/rosemarylaing/vita
2005 Rosemary Laing: to walk on a sea of salt, Tolarno Galleries, Melbourne. July - Aug 2005. Rosemary Laing: groundspeed, Galerie Conrads, Düsseldorf, Germany. The Unquiet Landscapes of Rosemary Laing, Museum of Contemporary Art, Sydney; travelled to Kunsthallen Brandts Klaederfabrik, Odense, Denmark (2006)
https://www.artlink.com.au/issues/2140/light-years-william-robinson-and-the-creation-stor/
What does an artist need to establish his/her name in the competitive international art world? Gordon Bennett, Fiona Hall, Fiona Foley, Rosemary Laing, Patricia Piccinini, Roslynd Piggott, Ginger Riley Munduwalawala, Imants Tillers, and William Robinson are all becoming recognised internationally while working from an Australian base, both physically and conceptually.
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