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http://jamiri.dk/artist.htm
Skovgaard (1863-1937). Painter. Signing underglaze painter at Royal Copenhagen 1910 - 1914: Margrethe Hyldahl At Bing & Grondahl factory 1909-1963: Marianne Mathea Høst (1863-1929) Painter. Started at Royal Copenhagen as blue painter # 46 later signing underglaze painter 1885-1904
https://www.royalcopenhagen.com/ourpassion/marks
The crown symbolises Royal Copenhagen's beginnings in the hands of the entrepreneurial monarchy. The crown was initially painted by hand, but by the 1870's, the company began to stamp the mark under the glaze. The crown is decorated with the "Dagmar Cross", a jewelled crucifix dating from the Middle Ages that was discovered in 1690.
https://frejaswayceramics.com/Marks.htm
The first mark is from Aluminia. Many of the works of Royal Copenhagen's artists were also produced under the Aluminia name--Actually Aluminia had purchased Royal Copenhagen (Est.1863) in 1882, and produced under both names until 1969, when the Aluminia name was dropped. Nils Thorsson was Artistic Director of Royal Copenhagen from 1949-1975.
https://www.theoldstuff.com/en/porcelain-marks/category/65-royal-copenhagen-marks
In 1868 royal companies were privatized. As a result, the Royal Porcelain Factory came into private hands. In 1882 it was purchased by the faience factory Aluminia. The waves are still painted on the back of each piece of porcelain created in the Royal Copenhagen factory. Another part of the mark is the royal crown. It is a symbol of company's ...
http://jamiri.dk/aluminia-mark.htm
32. Hand painted marking started on colored art faience in 1901-1902. The figure above shows the development of the mark from 1901 - 1906. It started with the Beehive mark and a number. The Beehive mark was the A from Aluminia and the thee wavy lines from Royal Copenhagen.
https://www.royalcopenhagen.com/
Explore the world of Royal Copenhagen porcelain, enjoy the stories of the centuries old brand, and have your presents stylishly wrapped as only Royal Copenhagen can do it.
https://www.ceramic-signatures.com/scandinavia
Arnold Krog (art director at Royal Copenhagen) visited the Japanese collections of Siegfried Bing in Paris. Pietro Krohn (art director at Bing & Groendahl) developed the same interest in japonism. Probably because of Sèvres' expansion of porcelain production with stoneware, R. Copenhagen and B&G, decided to develop a stoneware production too.
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