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https://www.moma.org/collection/works/80385
He studied aerial photography and wanted White on White to create a sense of floating and transcendence. White, Malevich believed, was the color of infinity and signified a realm of higher feeling, a utopian world of pure form that was attainable only through nonobjective art.
https://www.wikiart.org/en/kazimir-malevich/white-square-1917
The stark canvas on White on White it is not devoid of emotion or deep artistic sentiment. Malevich’s brushstrokes are evident, and the soft outlines of the imprecise square make the white austerity of the painting seem more human. When it was created, it was one of the most radical paintings of its day, without reference to any outside reality.
https://www.theartstory.org/artist/malevich-kasimir/artworks/
White on White Malevich repeatedly referred to "the white" as a representation of the transcendent state reached through Suprematism. White was the artist's symbol for the concept of the infinite as the white square dissolves its material being into the slightly warmer white of the infinite surrounding.
https://en.wikipedia.org/wiki/White_On_White
For the 2019 Spanish film, see White on White (film). Suprematist Composition: White on White (1918) is an abstract oil-on-canvas painting by Kazimir Malevich. It is one of the more well-known examples of the Russian Suprematism movement, painted the year after the October Revolution. White on White. Artist.
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