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https://ruthasawa.com/art/
"Nature is my teacher, and I have used materials that are a product of our 20th century to study her growth patterns."
https://about.usps.com/newsroom/local-releases/nc/2020/0814-ruth-asawa-forever-stamps.htm
Pioneering Japanese American artist Ruth Asawa (1926-2013) is perhaps best known for her intricate abstract wire sculptures. Inspired by nature, Asawa transformed industrial material into transparent and seemingly weightless works of art that challenged traditional definitions of sculpture.
https://ruthasawa.com/life/
View a timeline of Ruth Asawa's life.
https://50x50.sjmusart.org/asawa/
Ruth Asawa, “Artist’s Statement,” in Ruth Asawa: Completing the Circle, ed. Philip E. Linhares (Oakland: Oakland Museum of California, 2002). Go back a page Robert Arneson Previous Page (left keyboard arrow or swipe) Judy Baca Go to next page Next Page (right keyboard arrow or swipe)
https://en.wikipedia.org/wiki/Ruth_Asawa
Ruth Aiko Asawa (January 24, 1926 – August 5, 2013) was an American sculptor. Asawa's work is in the collections of the Solomon R. Guggenheim Museum and the Whitney Museum of American Art …
https://www.artsy.net/article/artsy-editorial-enduring-legacy-ruth-asawas-mesmerizing-sculptures
May 14, 2020 · Everything She Touched: The Life of Ruth Asawa —a new biography of the artist’s life by Marilyn Chase—details how, lying on her deathbed a day after the record-breaking sale, the 87-year-old artist was accompanied by two of her daughters, Addie and Aiko, who broke the news to her by whispering in her ear, “Mama, you’re playing with the big boys now!”
https://www.artnews.com/feature/ruth-asawa-who-is-she-famous-works-1202697634/
Aug 21, 2020 · Ruth Asawa, Untitled (BMC.95, In and Out), ca. 1946-49. © The Estate of Ruth Asawa/Artists Rights Society (ARS), New York/Courtesy The Estate of Ruth Asawa and David Zwirner The artist developed...
https://www.christies.com/en/lot/lot-6269991
The same year Asawa created this sculpture, the artist’s work was presented in her first solo exhibition in New York, at the Peridot Gallery, for which she was asked to contribute an artist’s statement that elucidated her creative process: “A woven mesh not unlike medieval mail.
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