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https://www.famousphotographers.net/sam-taylor-wood
Sam Taylor-Wood born in 1967, is an English visual artist, filmmaker and photographer. Her father abandoned the family when she was just nine. Her mother is an astrologer and a yoga instructor raised her. She has a younger sister and a maternal half brother.
https://www.mutualart.com/Artist/Sam-Taylor-Wood/080EEDD020504174
Sam Taylor-Wood is a British photographer who was born in 1967. Her work was featured in numerous exhibitions at key galleries and museums, including the Hamburger Bahnhof, Museum of Contemporary Art and the Sammlung Goetz (Goetz Collection).Sam Taylor-Wood's work has been offered at auction multiple times, with realized prices ranging from $32 USD to $100,157 USD, depending on the size …Nationality: British
https://ilikethisart.net/?p=4516
Oct 23, 2009 · Sam Taylor Wood Stills from Still Life. “Still Life is one of the most classical works of contemporary art I know. It inscribes itself in art history with hardly any commentary.
https://www.youtube.com/watch?v=BJQYSPFo7hk
May 27, 2013 · "Still Life", a bowl of fruit decaying, is a film by Sam Taylor-Wood. The music "Preservation Divine" is by Keith Kenniff. The work can be seen in the Explor... "Still Life", a bowl of fruit...Author: Jonathan Pascual
https://www.imdb.com/name/nm0853374/bio
Sam Taylor-Johnson was born on March 4, 1967 in London, England as Samantha Louise Taylor-Wood. She is a director and producer, known for Nowhere Boy (2009), Fifty Shades of Grey (2015) and Love You More (2008). She has been married to Aaron Taylor …
https://samtaylorjohnson.com/
Sam Taylor-Johnson began life as Samantha Taylor, then became Sam Taylor-Wood and now goes by her married name as stated… She started working in photography and film in the 1990s, alongside fellow Young British Artists, Damien Hirst and Tracey Emin.
https://www.tate.org.uk/tate-etc/issue-9-spring-2007/matter-time
Jan 01, 2007 · Through the use of time-lapse digital video, Sam Taylor-Wood ’s Still Life 2001 shows a Caravaggesque display of fruit, which soon transforms before our eyes into a collapsed mass of rotting matter, the food of flies. Presented in a loop, the passage projects an endless repetition, where death and resurrection acquires endless appeal.
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