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https://artreview.com/ar-april-2018-feature-womanhouse/
Sandra Orgel, Ironing from Womanhouse, 1972. AR April 2018 Feature When the studio space promised by Cal Arts to the newly founded Feminist Art Program wasn’t ready at the start of the 1971–72 academic year, the teachers and students on the program …
https://charlyfap.wordpress.com/2013/02/14/feminist-art-and-womanhouse/
Feb 14, 2013 · The artist’s used the traditional female experience and portrayed it in a manner that expressed their anger and resentment towards their “roles” and the ridiculous connotations and expectations that come with simply being female. Sandy Orgel …
https://www.judychicago.com/gallery/womanhouse/pr-artwork/
Judy Chicago, Suzanne Lacy, Sandra Orgel, and Aviva Rahmani (sponsored by Feminist Art Program at CalArts), Ablutions, 1972, performance with mixed media, Guy Dill's studio, CA.Photo courtesy of Through the Flower archives
https://texashistory.unt.edu/ark:/67531/metapth228019/m1/93/
the artist uses painting in the service of a feminist agenda. Since the early 1970s, from Sandra Orgel's performance ironing sheets in real time as a com-ment on female servitude and Miriam Shapiro's subversive insertion of cloth and fabric into the sacred realm of high art, the linen closet has had a long history in visual representation. Fuchs' versionAuthor: Tim Staley, Anjali Gupta
https://www.suzannelacy.com/ablutions/
Suzanne Lacy, Judy Chicago, Sandra Orgel and Aviva Rahmani. This performance began with Lacy and Rahmani’s earlier explorations of rape in their different practices—Rahmani in performance and Lacy in an artist’s book, Rape Is. The project was a true collaboration between all four women, teacher and students, with each contributing images ...
https://www.kcet.org/shows/artbound/cataclysmically-feminist-the-second-wave-in-california
In the living room, performances included solo "maintenance" pieces in which Christine Rush and Sandra Orgel scrubbed and ironed respectively; and Faith Wilding's "Waiting," a monologue that condenses one woman's experience into a "repetitive cycle of waiting for life to begin" while she serves and maintains the lives of others."Womanhouse" evoked diverse responses.
https://www.artnews.com/art-news/news/suzanne-lacy-social-practice-nancy-princenthal-13412/
Oct 17, 2019 · In a new book about rape and feminist art during the 1970s, Nancy Princenthal explains how Suzanne Lacy invented social practice art. ... Judy Chicago, Suzanne Lacy, Sandra Orgel…
http://blogs.getty.edu/pacificstandardtime/explore-the-era/archives/v62/
Ablutions performance at Guy Dill’s studio, with Judy Chicago, Suzanne Lacy, Sandra Orgel, and Aviva Rahmani (Sponsored by Feminist Art Program at CalArts), 1972. The Getty Research Institute, Gift of Art in the Public Interest and 18th Street Arts Center, 2006.M.8.42. Photo courtesy Lloyd Hamrol
https://en.wikipedia.org/wiki/Womanhouse
Womanhouse (January 30 – February 28, 1972) was a feminist art installation and performance space organized by Judy Chicago and Miriam Schapiro, co-founders of the California Institute of the Arts Feminist Art Program and was the first public exhibition of Feminist Art. Chicago, Schapiro, their students and women artists from the local community, including Faith Wilding, participated.
https://www.frieze.com/article/questions-answers
It was a fertile moment when art was changing in the direction of performance, conceptual art and installation. In 1972, I did a performance with Judy, Sandra Orgel and Aviva Rahmani called Ablutions.
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